bene helohim

Starry Path: Purpose, Path, and Goals

Since I’ve had a few good questions about the Starry Path, I figured it was worth having another “about” post going into more detail around the Path.

 

What is the purpose of the Starry Path, and my purpose in exploring and sharing it?

I’m not sure it’s fair to assume there is a major teleological element to the Starry Path. That would feel too religious to me. Sure, there is a purpose to the Path, like any magickal path it’s about opening ourselves up, to perceive reality in a deeper, more complex way, and to understand that reality, and our ability to influence it. The Path is about studying, and embracing magick and spirit, but not necessarily with some clear end goal, like a favourable afterlife or reincarnation.

My “purpose” in exploring it is just that, to learn more about magick and spirit, the Cosmos and my place within it. Purpose may not apply here either, because as much as this is a path that I’m exploring, there are definitely times when it feels like I don’t have much of a choice. The spirits have made themselves known, and my options are either ignore them, or go with them. Parts of the Path are intentionally explored, other areas I’m tossed into by the spirits.

As for sharing it, that is a bit harder to explain. The Starry Path is my experience, I’m not sharing it as a religious concept for others, or a path for others to follow whole-cloth, but as a record of my experience, an example of what can happen, and yes, as a system of arcana I hope others can explore too.

 

In fact, the purpose in sharing is something I think I didn’t make clear enough in the past. I mentioned the Path is ecstatic and gnostic, but inseparable from that the Starry Path is at its core a tutelary Path. Something that doesn’t get talked about enough in magick is the fact that most traditions seem like they are meant to be tutelary paths, not something to be slavishly followed. It seems though as trads spread and age, things become codified, and people think of that path as only what is presented to them. I love my encounters with these spirits, what they have shown and done for me, and I love hearing from people who have tried things from the Path…but if I ever meet anyone who is following my instructions/explanations on the Starry Path and that’s it, they haven’t moved beyond that, then they are doing the Path wrong.

The spirits I introduce aren’t meant to be merely summoned for a task and sent off, they are the teachers of the Path. Part of the Starry Path is accepting the spirits as teachers and guides. They know far more about it than I ever will. The Starry Path is meant to establish connection, and give a Path to walk, but it’s to be a guide. To paraphrase Chumbley “Confuse not the Path, with what I have written on it.” If you’re trying out stuff that I post, and not learning directly from the spirits as you go, then you need to slow down and engage them. It’s a tutelary path, learn from the spirits, innovate, and explore, do not just follow what you hear from me or others.

 

Are these new spirits? Why do we need new gods and spirits?

They’re not new at all. It is only my exploration of the Path that is new. They have always been here, they appear across time and spirit in many traditions, only my engagement with them is new. Some of the spirits on the Path are directly in other traditions and mythologies, others are more like resonant figures, perhaps the seed of myth that has been codified. They are not new, but I’m looking at a different facet of their complex being.

As for why do we “need” these “new” spirits, that’s an individual thing. Above I mentioned how a lot of paths start off tutelary, but over time become ossified and strict. Reality bleeds into myth, and legend, experiences become “fact” and ideas become gospel. The spirits of the Path appear across the world in different times and cultures, some of the magick they teach appears in other traditions. The Starry Path was borne out of a need and desire to experience things as they are. That is where the Path being ecstatic, gnostic, and tutelary comes in. It’s an attempt to engage this magick unadulterated by mythology and culture.

Of course, there will always be contamination based on the person, and culture experiencing, but it is hoped that those are less because it’s more direct, not over long stretches of time. I won’t deny that my explanations and explorations of the Starry Path are filtered through me. But like a game of telephone, the less people it passes through, the clearer it will be.

A parallel for this is the terma tradition in Vajrayana Buddhism. In Vajrayana Buddhism it’s very important to have a lineage. For many of my major empowerments, I can track it backwards in time, from me, to Rinpoche, to his teacher, to his teacher’s teacher, and so on back to some famous Buddha or saint. Despite this emphasis on lineage though, it’s understood that overtime teachings shift, get corrupted, misunderstood, and change. A terma is a revealed teaching. It’s believed that great masters (generally Padmasambhava, but termas from other figures exist) have left behind their teachings, hidden, to be discovered later. Padmasambhava for instance taught in the 8th century, that is a long time to assume that no teacher or student has misunderstood his teachings, no one has been confused in passing it on, nothing has been lost. Foreseeing this as a problem it’s believed that Guru Padmasambhava hid teachings, termas, so that centuries later someone would find them, and “refresh” the tradition with more accurate knowledge. A few centuries pass, things shift, and someone finds a terma text, and suddenly we know how things have been misunderstood for a few centuries, and we can correct that. We’re going back to the source, rather than trusting in a centuries long game of broken telephone. Terma exist as both physical scrolls that are found, and also Mind/Space terma, which are more of a vision/revelation of the information.

In that way I think on a basic level you could compare the Starry Path to terma. It’s an attempt to look past the myths, past the ideas and opinions, past ossified concepts, and to see what was at the base of it, and bring that back out. So yes, these spirits are probably in various myths, some directly, others are vague inspirations lost in the mists of time, but with the Starry Path I’m asking them to teach me directly outside of the religion/culture that has codified them over centuries.

 

Is X spirit, really Y spirit?

You’ll have to ask them. In some cases there is a one-for-one link between spirits on the Path and spirit in another tradition. Sometimes one spirit was divided in myth into two or more, and sometimes two or more spirits were combined under the same name. Other times it’s a general echo, X spirit might not be Y, but stories of X may have inspired the myths of Y down the line. The webs of history and myth are subtle and abstract. Because the tradition is gnostic/tutelary, I’m not going to say who is whom in my experiences, at least not yet.

 

Do you have to follow these rituals in order, contact spirits in order?

Yes and no. I certainly didn’t follow the order I’m writing in. Hell I’m still sorting out experiences in the last decade that I didn’t realize where connected to the Starry Path, or experiences I thought were connected but aren’t. A few of the practices have an order they need to follow. That’s why I’m introducing the Star Fire variations first in order. You can’t create Red or Blue Salt of Star Fire, without normal Salt of Star Fire, that’s just how it works out. Put unless I specifically mention that one thing has to precede another, feel free to jump around my writings in whatever order you want. Part of what makes this difficult to write about is my experiences have not been clean and orderly over the last decade, so I was never given a “This is where you start, this is what’s next.” So I’m going back through notes and thinking things over trying to reorder my experiences and information in a way that is easier for people to pick up and follow.

 

Are you just going to blather on this, or actually give us some magick to do?

Don’t worry, the base is more or less laid, so soon we’ll actually be doing stuff with the Path.

Posted by kalagni in blueflamemagick

Treading the Starry Path

The Starry Path is the system of magick or spiritual path I’ve been walking for several years. The earliest mention of it in this blog was six years ago, but I know it was a part of my life well before then, but I’d have to dig out old magickal diaries to be more specific. That will have to wait though, this is my time of year for rereading my Abramelin journals, though the visionary experiences during my Abramelin period are definitely part of the Starry Path.

The Starry Path is a system of magick that grows out of several different practices but has become its own path. It is a gnostic tradition in the sense that it relies on personal gnosis as much as it does on outside factors. It is an ecstatic path as it takes the ecstasy born from gnosis to transcend normal consciousness or reality. A path meant to open the mind to the unconstrained abstraction that is reality. That is such an awkward phrasing for something that seems impossible to put into words without experience. Opening the mind to an abstract shifting world of multiplicities and paradox, the strata of the world we know. That is of course more of the advanced goal and practice.

It is a path of gnosis and ecstasy, of the experiences and the ephemeral. That means that the path has the goal of mystical visions, but also a goal of removing the mental constraints we put upon our perception that limit our ability to understand and interact with reality.

The Starry Path has connections and resonances with Sabbatic Witchcraft, Feri Witchcraft, TradCraft, Qabalah, Vajrayana, Ezidi beliefs, Ceremonial magick, and Enochic magick. (Not Enochian, Enochic) But the Starry Path isn’t part of these paths, nor would it be correct to say it grew from them, or was based on them. The Path is not a combination of disparate practices, but a method of gnosis, a system of arcana that grew from their moments of clarity. But there are similarities and connections, resonances and echoes with these traditions, and others, these are just the ones I am most familiar with. I’m torn between saying it’s another facet of these currents or convergent evolution. In reality, it’s probably both, neither, and so much more. (This is where you get into the unconstrained abstractions I mentioned above)

I think that Andrew Chumbley said it well:

All currents of Magick flow from a single fountain…all currents are adapted by the channel through which they pass and my work has been influenced by many traditions and authorities of occultism, but nonetheless, in articulating such Magick as I have dreamt of, I am manifesting its Indivisible Unity as best as I am presently able.

ix, Azoetia: The Sethos Edition, 1992,2002

As a system of arcana that is being revealed to me over the years, I’ve often been reluctant to talk about it publicly. Over the years I’ve worked with and taught other people I know and trust about the path, but never anything public really. It feels egotistical in some ways to talk about a “new” system of magick you’re “creating.” Even if it is not new, nor is it being created, just revealed and codified. I’ve also been concerned about releasing things half-baked and half-understood, for fear of misleading others who look into it. The witchy urban legends of someone screwing up their life by using a bad translation, or an incomplete text, or whatever is really just a story, I know that, but yet I did worry about people using an incomplete path I showed them and stumbling.

Things have shifted over the years, my misconceptions about parts of it have dropped away, other things were expanded, and I was worried about someone trying something before it’s “perfected.” I see now (thanks to repeated Clue-by-fours from the spirits of the Path) that it is a living breathing system, and in many ways, it will never be complete.

As such I will begin blogging more about the Starry Path, and I invite those interested to explore the path with me.

So what is the Starry Path?

In broad strokes the Starry Path is nothing that unusual, it seems to draw on familiar and almost universal mythological themes: Beings of the heavens, descending to earth, to teach, to love, to live, and over time losing their way. What I’ve found interesting in my exploration though is the heavy stellar influence on the Path, it is called the Starry Path after all. While other resonate paths may emphasize the stars this Path really seems to put them in the centre in many ways. The spirits of the Path have intimated, or even outright said, where their story lies in myths, what is right, and wrong, and too subtle to be either right or wrong. The spirits of the Path, specifically the Elder spirits are Promethean beings, bringing the Fire of the Heavens down to Earth and giving it to humanity. The Path contains both those large abstract and subtle magicks that have been with humanity since our beginning, but like humanity, it has evolved. It has grown with humanity to keep relevant and applicable to us.

Currently, I would divide information on the Starry Path into three forms.

Some of the information is relayed in this almost poetic spiritual form. It has similar mouthfeels and rhythms to spells, myths, and hymns.

You do not need to be able to see our star, you only need to know where in the sky it is. This is why we taught you so much on how the heavens move, so that we could be tracked, so that you could find us, so that we could communicate and come down to bring you our fire.

or

We breathed the Black, we with Stars in our veins still hold the Night in our Hearts. When we Fell Into this world we enlivened bodies of our Fallen Family, living in transmuted corpses. Listen well as we stare into our Hearts, Listen well as we stare into the Night, slowly careening overhead our Family Sings us Home.

There is my “translation” of that. Sometimes there is no need to put that in more day-to-day language, other times, specifically with instructions, I expand and give my commentary, giving something that is easier to read and reread to know what you’re doing.

My post on The Sorcerer’s Plant is a great example. I was given a more poetic explanation, but I “translated” it into something that was easier to share and discuss.

The last division would be stuff that is solely my writing. Sometimes information is sung at me and through me, but sometimes it’s just a download, so while the information comes from the spirits it forms is purely my own.

The Black Mountain of Fire falls in that category. No poetic or wordy explanation was given. Just a vision and download of information that I then wrote out on my own.

In the future, I plan to share some of the poetic descriptions of the spirits, from the spirits, and how they are connected to the path. I will talk of the role of salt, fire, and stars, and introduce the spirits on this path.

This post has been sitting in my draft folder since before I shifted to my own domain. A recent conversation with Polyphanes about the Stars of Ursa Major nudged me again to share this. Since there was a connection between what the spirits of the Path have told me, and what he has worked out from the PGM.

Going forward I will try to write more about the Starry Path. Now the fun part is deciding where to start.

Posted by kalagni in blueflamemagick

Review: The Witch’s Book of Spirits, by Devin Hunter

The Witch’s Book of Spirits – Devin Hunter

Llewellyn, 2017, 9780738751948, 306pp

The Witch’s Book of Spirits is a refreshing book on spirit work and magick. Devin Hunter leads you through a theoretical tour of spirit realms, introduces you to spirits along the way, and teaches you how to work with them.

Spirit work is the cornerstone of most witchcraft traditions, but what Hunter presents is both applicable to most magickal traditions, but also distinct in and of itself. That’s one of the main things I appreciated, Hunter’s system is its own thing, it’s fresh and new, not a rehash of older grimoires or Books of Shadows.

The book starts with a look at the history of spirits and magick, the importance of spirit allies, and explaining the spirit realms. The book felt almost like a spiral, rather than a linear book. Instead of being a straight progression from topic to topic, it felt like topics were introduced, explored, and returned to a while later with greater understanding. From a teaching perspective this is a great way to keep the information fresh and relevant in the reader’s mind.

The book spirals out, looking at familiars, protections, spiritual flight, returning to the various spirit realms, and methods of conjurations. While I might disagree with some of Hunter’s delineations of spirits and realms, they do make a useful model to work from. If the worst thing I can say is that I disagree with some definitions, then I’d say that this makes this a fairly solid book on spirit work.

It’s the last half of the book that really shines in my opinion. Hunter gives us nine “Keys of Hecate” which are a combination of sigils and energy work. These Keys are symbols of power, each one with a different purpose and method of use ranging from establishing authority and protection to helping spirits manifest on our level. I found these really interesting because while the origins and symbols are different, the underlying principle and method is very similar to work I’ve had revealed to me by my spirits, just as these Keys were revealed by Hunter’s work with Hecate.

Now that the reader is equipped with the Keys to handle spirits the book spirals back into a deeper look at the classification of spirits, from angels and demons to the dead and the fae. The book ends with a grimoire of 33 spirits, spirits of the Vexna-Kari. They’re an interesting mishmash of spirits of different types and different origins. Several apparently were spirit familiars to witches in the past, but for whatever reason even after their witch died the spirits remained, brought back into the fold by the Vexna-Kari. The abilities or domains of the spirits are the standard fair: help learning, drawing love, protection, financial aid and so on. The head of the spirits, the Vexna-Kari, are three spirits, progenitors of witchblood, angels who walked the Earth. This section, like the Keys, had a few eerie similarities to my own work, and considering much of that comes from spirits who also claim themselves as bloodline progenitors and angels on the Earth I think it’s good confirmation having similarities arise. I suspect those who follow paths connected to the Crooked Path, Sabbatic Craft, TradCraft will probably find Hunter’s work very resonant with their own.

While I would recommend the book in general, for anyone wanting to improve the connection and work with spirits, I will say it probably will have an extra “layer” to those who walk paths connected with Hecate, the Bene Ha Elohim, and TradCraft. Even if you’re fairly developed in your spirit work, I would recommend the book for the Keys of Hecate and the Vexna-Kari grimoire.

Posted by kalagni in blueflamemagick

Wednesday Webshare: Smashing the Wall of Jericho, History, and Buddhist Humour

We have found a large underground city, perhaps the largest ever recovered. I love hearing about these discoveries for multiple reasons, and a big part is it helps unsettle our historical narrative. Also I’m of the camp that believes our estimates for these cities are far too conservative. I might sound a bit like dear Gordon (but I’m in good company if I do) but our history is more complex than we realize, and when you look at the mythologies of this area, the idea of ancient people living underground opens up some fascinating possibilities.
Humanity was more advanced in a lot of our early received history than most people realize. Just recently it came to light that Babylonian astronomers had developed a pre-cursor to calculus. Their spiritual pursuit of their gods led them to understand the sky and chart the world in ways most modern historians don’t realize. Part out of a notion of prestige and lineage, we like to trace great accomplishments to people “like us” so the Western view of world history often ignores how often our great ideas and accomplishments were done somewhere else first. Another part of it is it’s comforting to assume we’re much more advanced than those who came before us, but in reality we don’t want to see where we came from.
There is also a huge Judeo-Christinizing influence on history. I’ve seen it colourfully referred to as the Wall of Jericho. (I should pause here to remind readers, or inform newer readers, that I’m not just a person babbling about history, I have an Honours Bachelor degree in history from one of the best history departments in North America, and part of my early degree focused on Ancient Near East History. So I’m a slightly qualified person babbling about history) Basically there is a lot of pushback against historically dating things outside of the Biblical time line. Even though most people think Creationism is a joke, it’s hard academically to get consensus that something involving human civilization happened before the year 4000 BCE. Slowly we’re pushing that line, but each time we do, the Biblical timeline shifts too. Most notably our dating of the walls of Jericho. Despite the fact that we can disprove essentially every part of the history in the Bible before King David, not that we lack proof, we have proof its wrong.
That’s part of a bigger rant, but it’s why I love Gobekli Tepe, it’s undeniably the oldest monument we’ve discovered, and due to evidence around it, it’s impossible to shortchange its 12,000 year history. We’re still studying, but we’re restoring it too. I sincerely hope as we study it we’ll really break the Wall of Jericho and realize humanity’s history is longer and more interesting that people generally think.
Another step in uncovering our histories is the discovery of a large body of text written in the Etruscan language. As we work through it we may begin to learn more about this surprisingly powerful culture that we actually know little about, and since the inscription is from a temple we might learn more about their gods.
In more recent times regarding recovering lost history, the occult books of Heinrich Himmler have been found. Apparently 13,000 books. While I’m sure many of them are run of the mill, I wouldn’t be surprised if the Nazis found some more unique books in their rampage, and I can’t wait to hear more about what was uncovered.
Switching gears:
There is a new blog, that I cannot recommend enough, but I suggest folks head over to The Perfumed Skull. It’s a blog on anthropology, esotericism, and a large dose of Tibetan Buddhism. It’s not a casual read, the entries are long, dense, and academic, but if you’re looking for a more critical historical/anthropological take, this is definitely worth following.
I first “met” the author when he linked to my post on tulpas in his great piece (on another site) analyzing the role and change of the tulpa idea in Western thought. And was polite enough to call my tone merely exasperated.
Following Buddhism in an irreverent way, facebook memories reminded me of my Buddha Name Shindan Maker I made a few years back, thanks to Polyphanes pushing me. At the time I was reading the Avatamsaka Sutra, which is not a Buddhist text I suggest anyone read unless it’s a really important part of your path. Part of the book is essentially a catalogue of all the Buddhas across different “world oceans.” They all have fantastic and bizarre names, that follow a simple pattern, so I put in the common words, and let this program spit out names that are hilariously close to the original. I, in case you were wondering, will be the Buddha Adamantine Light of Razorlike Compassion. As someone who repeatedly says “I will shank you with loving-kindness” razorlike compassion is very suiting.
Speaking of irreverent Buddhism, spirit houses are a common fixture in Thai Buddhist cultures. Unfortunately (or fortunately?) many cats assume any boxlike structure is for them. So here is an adorable collection of cats cramming themselves in spirit houses
Lastly, after the big Japanese tsunami lots of taxi drivers reported giving rides to ghosts. While it’s hard to trace the validity of these stories, it’s interesting to me that it happened en masse. If it was just a single driver, it would be easy to say it’s made up or imagined, but a bit harder with several reporting similar events.

Posted by kalagni in blueflamemagick

Sorcerer's Plant: Care, Feeding, and Consecration

Before I continue the post proper I wanted to address a question I got and can’t easily work into the post.
“Why do you suggest big blade aloe plants?”
There are two reasons. The first is when the angel(s) gave me the image it was the large bladed type of aloe vera, and I have kept my plants as close as possible to their vision and instruction. The second reason is because you can actually cut off a blade to use in certain rituals, but the plant is an ally, so the destruction of part of its body should be a sacrifice. If it’s dozens of small blades one removed will not contain much power, and will not be noticed, but a larger blade will make you think twice before using it.
Previously I spoke a bit about the uses of the plant, and the type of plant selected and the basic preparation, now let’s shift to the methods of consecration.
There are two elements of the consecration, a regular routine one, and an irregular one.
I mentioned that the plant is a connection to places and spirits you work with, this is part of the irregular consecration.
I’ve talked before about collecting dirt, here and here. This is how you connect the plant to different places. Follow the method I mentioned (or something similar) where you are not just grabbing dirt, but making an offering for it, gather the essence of the place into it, and then collect the dirt.
Gather Nest dirt, which I mentioned but didn’t describe in those posts, but to reiterate a Nest is a power place, often conceptualized in the West as a Nexus point, a crisscrossing of Ley Lines or flows of nature energy. But a Nest doesn’t have to be such a crisscrossing (or rather my tradition claims that some lines are far beneath the Earth and only rear their Head in certain areas), sometimes there is a place of power disconnected for the area around. Gather dirt that is important to your practice. Power places, temples, graves that are relevant to your work, holy places, whatever.

Now if you don't have soil samples from various graves, power points, and dragon's nests, then store bought is fine...actually, no it's not.

Now if you don’t have soil samples from various graves, power points, and dragon’s nests, then store bought is fine…actually, no it’s not.

When you have the dirt I recommend sterilizing it. You don’t have to, but dirt can contain harmful microorganisms which can be damaging to plants, and if you’re using it to detect magickal attacks you want to avoid any confusion if it starts wilting. To sterilize soil you bake it believe it or not. Put the soil in an oven safe container, I find mini-cupcake pans are the perfect size for my soil samples. The soil should be slightly damp. Cover the container with tin foil and pop in the oven at 90C (200F), once the dirt reaches around 82C (180F) keep it at that temperature for half an hour. Don’t let it go much higher than that, because that can actually produce (so the gardening sites claim) toxins in the soil. After half an hour take it out, and let it cool. You now have sterilized dirt that is free of damaging organisms for your plant.
My plant has soil from the various Nests near me. Places along the shore where I communicate with the spirits of Lake Ontario, places on the Bluffs, a crypt that has been a focus of my magickal work for 12 years, places like that. It also has dirt from the Blue Hole in the Pine Barrens, and sand from the Atlantic ocean, Graveyard dirt from the focal points of the various Lords of the Dead in different cemeteries I’ve visited in Canada and the US, and even stuff as far reaching as dirt from the roots of the (supposed) Bodhi Tree, and sand from the shore of Lake Rakshastal in the Himalayas (a lake of special importance to me). Think about the places that are important and powerful to you, and the places you have spirit allies. Take dirt from there.
Adding the dirt to the plant is something that I do non-ceremoniously, though I only do it when I water the plant. Before I start I hold the dirt, and use it as a link to the spirit or place, and reach out and connect it, then I speak to the spirit and place and plant, and explain that I’m giving it the dirt to connect them, so they become linked. So that offerings to the plant are offerings to these spirits, so that the plant becomes a place where I can easily speak to those far away and draw on their forces. You don’t need to add much, and if you’re like me, you don’t want to use too much, because pretty soon your pot will be overflowing. I use maybe a teaspoon each time.
(As a sidenote: I mentioned that my last plant died. I took the soil from that pot, from the edge away from the roots, just in case they started to rot, and I sterilized that dirt and reused it with my new plant. That way it kept some of the energy of the plant, and the connections I had already established. It felt like they broke, but the guidelines are there, so it’s just a matter of charging this plant back up to connect.)
Now for the part of the regular consecration, this is what helps connect the plant to you, and helps it stand in as you during magickal attacks. It also, I believe, it was largely gives it the power to become something more than just a plant, but a more conscious spirit.
It is to be watered every New Moon, and every Full Moon. (Water in between if it needs it, but not a full watering)I use rain water (or melted snow in the winter), I wasn’t told to, but it just seems right. Every Full Moon it’s not just water I feed my sorcerer’s plant, but my blood as well. *insert people suddenly being squeamish for no good reason* It doesn’t have to be much, I usually only include three drops for a symbolic reasoning. I mix the blood in with the water, and give it to the plant. As usual it’s less ceremony and more altered state chatting with the plant, reminding it that I share my blood with its water, so that I may become part of the plant, and that the plant is part of me, to bind us together and to enliven the plant. On the New Moon I offer my plant water and semen. (Those who didn’t know my sex or gender, you at least know I have functioning testicles) I cannot speak for those without the ability to produce semen, either due to medical issues or have different gonads/genitals, though I suppose other sexual secretions would work, or a second serving of blood. When I water the plant this time it is much the same, just explaining and reinforcing our connection.
(Feeding the plant my blood and semen is why my sorcerer’s plant has earned the endearing, but inaccurate, nickname of being a cum-guzzling cannibal cactus.)
This really gives the plant its own presence, and as mentioned helps it become a sort of astral double that works well as a stand in for a lot of malefic magick. There is nothing done to make it stand in, it just seems to be a nature of the plant, a natural occurrence after it builds up enough force.
Now that the plant is active and developing, you can use it essentially as a remote altar. If you need to connect to a distant spirit or place, treat the plant as you would an image or statue on an altar. Reach through it, make the offerings to it, connect to it, and speak through/to it.
I mentioned cutting off the blades. When I find I really need a boost in a ritual, I need access to more force/energy than I can easily tap, or I want to be empowered by distant allies I cut off a blade, split it lengthwise down the centre and use its gel as an anointing oil. My forehead, temples, wrists, and any other appropriate power point is wiped with the gel and I find that really sends me up and out into the ritual. Also I’ve used it as a stand in for my own blood in other rituals when I’ve not been comfortable using my own blood.
The sorcerer’s plant has inspired other such botanical familiars in my work, and I’ve come across similar ideas since then, but this post is long enough as is, so I will leave it here.

Posted by kalagni in blueflamemagick

Sorcerer's Plant

For well over a year I cultivated my sorcerer’s plant, and in that time it was a good focus and tool, and in the end it proved to be a great ally. Two weeks a good I began the process of consecrating and ensorcerelling a new one. Since people asked me about it, I asked the spirits who helped guide me to the plant, and I have a green light to talk about it. (I figured since it was part of a tradition of sorts, I needed permission to discuss it exactly, rather than in broad strokes)
So to start, just what is a sorcerer’s plant? It’s a hard question to answer, but most simply it’s a living (literally) talisman. Now a lot of us magickal folks (myself included) see some of our talismans and objects as alive, but this literally is alive on a biological level. A sorcerer’s plant has several purposes. It’s a focal point of power, it’s a very lively plant, and can be used to draw energy from, far more than you could from a regular plant, but it’s more than a battery, because it’s a focal point of different entities, and nests, and sacred places. (Nest in this tradition refers to a Dragon’s Nest, what most people would understand/call a nexus point of Ley Lines, a point of convergence of flows of power across the land) Through the plant you can access, if in a limited way, places and entities that are distant. (The spirits who set me about working on the plant told me that a long-lived and powerful sorcerer’s plant would eventually shift the flows around it to become a nest of its own. I don’t know if I believe that, or if it’s true, they might have been speaking out of their ass-trals.) It also has a more active plant genus attached to it, a more conscious spirit.
The plant also becomes an early warning system. The method of consecration causes a type of mirroring or interference between you and the plant, so a lot of stuff directed at you runs through the plant. In the case of attacks or malefic magick, this means the plant can absorb it, and it will affect the plant instead or first. Also the way it’s powered and connected makes it a great ritual ingredient for heightening trance states and the like. There is more to it, but any competent magickal folk will also start figuring out their own uses to it, and potentially tweaking it.
Regarding the early warning system, that is why I’m consecrating my second plant. I was recently a target of some malefic magick (since dealt with) which involved some pretty impressive signs. A dead mouse beside my offering dish, and the wards I drew on my walls before painting literally bled through the paint, and my healthy and living plant became mush. It didn’t just die or whither, it was suddenly a pile of goo held together by its skin. I don’t know what would have happened without it, but to turn a plant to mush, I’m pretty sure it took the brunt of it. I had found it useful before this, but this really drove it home.

Larger, fewer blades

Larger, fewer blades

So first one must acquire a plant to become the receptacle. I was told to acquire “the plant of immortality,” and my first thought was the Epic of Gilgamesh, but it was accompanied by a mental image of an aloe vera plant. Now supposedly (internet says) the Khemetic people called aloe vera the plant of immortality, but regardless it matches up, and makes sense to use aloe because of its gel (more on that next post). There are a couple of species of aloe vera, I personally recommend one with fewer larger blades, rather than many small ones. If you’ve never grown an aloe before, I recommend googling how to, they can be tricky plants, especially if you’re used to “normal” house plants, not succulents.
Too many small blades. Also avoid the more squat bladed species.

Too many small blades. Also avoid the more squat bladed species.

Then you need a pot, it doesn’t have to be a fancy pot, but large enough for the plant (again google what type of pots and setups are best for aloe), and preferably a touch deeper than needed. The most vague part of the instructions I was given was “make the pot magickal.” So I repeat that to you. I did it by using food colouring to paint the seals of some of my planetary angels on the inside of the pot and a few personal symbols related to the tradition. I used food colouring because it’s a terra cotta pot, so it absorbs well, and I didn’t want to use something like paint that would potentially be harmful to the plant.
Now plant the aloe into the pot, don’t fill it with dirt all the way to the top though. Leave some room. Almost to the top.
In most cases an aloe vera plant can be watered every two weeks, which just happens to sync up pretty excellently with the lunar cycle. I was told to water the plant on the New Moon and the Full Moon. Every once and a while in a really dry period I might need to give it a bit more in between, but save the full watering for the New and Full moons.
Next time I’ll discuss more on how it’s consecrated, nurtured, and worked with.

Posted by kalagni in blueflamemagick

Black Mountain of Fire

There are a variety of simple methods of establishing authority and focus within a place before a magickal working. Some traditions call it Centring, though to others that’s more of an energy work technique unrelated. It’s often a preliminary before banishing or creating space, but they can also be used to do both of those, when the practitioner is competent enough in them. The Qabalistic Cross is a great example of such a technique. (There is more to it than just that though)
It’s an alignment or realignment with the source of your authority, a recollection of your force, and a gathering of power
I wanted to share a method that was given to me by a spirit I work with. I’ve found it has a similarity to a Buddhist practice I’ve found in one ritual thus far (though it may be in more). When I need to establish a sense of stability and confidence within a practice, I will often do this, or a variation of it before hand. I find it is also great for giving my energy body a quick jolt, the energetic equivalent of a warm-up sprint.
It is a series of visualizations tied to breathing. While I mention the in breath and out breath they don’t have to be consecutive, if you need more time to do a visualization or part of the energy work, take it, but make sure when you resume to pick up the breathing pattern at the next step.
Stand or sit in a stable position, take a deep breath in. As you breathe out see yourself as a giant black mountain, a flat dull black like coal. It should be a large visualization, a mountain, but at very least cover the space you’ll be working in. As you take another deep breath in feel yourself as solid as possible, the core of this massive dark mountain, and as you breathe out feel the weight of the mountain pressing down on the Earth. You’re not just resting on the surface of the planet; your mass is pushing down into the planet.
Your in breath is used to stabilize this image, and with your out breath project your mind down into the core of the planet. Feel your awareness shoot down into the centre of the planet until it reaches the core. While the core contains molten rock and metals, you’re looking for an energy that has the sensation of fiery iron. That is actually what you’re trying to connect to, burning molten iron, red iron fire. Try to sense and locate the energy, but if you can’t project out the request, there is something down there that helps, ask for the Iron Fire.
Once you’ve connected to the Iron Fire energy take a fast deep breath in and draw that energy up through the earth, through your central energy column, the centre of the black mountain, and out through the crown of you head and out through the tip of the mountain. It erupts as light from the top of the mountain, the Iron Fire component of the energy being absorbed and transformed within you. The flow and radiance continues regardless of breath, the movement continues from the core of the planet through you into space.
(I’ve found after some time, that the light is actually connecting to a Star above me. Not a real physical star -I assume- but a symbolic star, either a representation of Celestial energy, or perhaps a higher aspect of myself. This star, or the awareness of it, is not required for this technique to function, I mention it as an observation that grew over time.)
As this energy flows up through your mountain body it begins to radiate outward from the centre, as it moves out it transforms the black material into a clear crystal. Eventually you’re left as a large crystal mountain, perfectly clear radiating a beam of light from below out through the top, and radiating a halo of light out through the crystal body. You transform your body from the coal black, to a clear crystal blazing with light.
(From here, if you so desire, you can continue to radiate out in an attempt to clear out the space, though it might take some work to become proficient at that. I find it is more efficient to clear the space normally after the next step, but it can be part of this is you so desire.)
Draw the light back in, up from the core, down from the heavens, in from the world around you, and see the mountain dissolve into your self, your body becoming the radiant crystal.

Posted by kalagni in blueflamemagick

I Want To See Your Peacock…


Come gather around children, and hear the tale of how twins, angels, Orion, and peacocks are out to drive Kalagni batty. People who follow me on facebook or twitter have seen part of this ongoing battle, but I thought I would share it here, unfortunately my journaling has sucked since March, so I might miss parts.
It started about a month ago, I started getting information hints, some were from my HGA, some were from Me, and some were from something/someone else. It was suggesting a connection between twins, Orion, and angels. I couldn’t piece together the entire thing, but there was something, some link between these concepts, and it was tugging at my spirit to solve the problem.
During this time my Beloved bought me a beautiful necklace made of 200+ year old glass, and just the feel of it, I knew I had to do something magickal with it, but I didn’t know what. Then when I was looking at it in the sun light I realized the light was highlighting some bubbles in the glass. It’s over 200 years old, I’m not surprised there were bubbles in the glass from back then. Three big bubbles in a row, almost, a crooked row…like Orion’s belt. As soon as I realized that I looked closer, and there were bubbles for the shoulders, and the shield, and one of the feet. By some messed up chance in making the glass, the image of Orion was almost perfectly preserved in my necklace. I was mildly freaked, I also noticed that the colour and pattern of the necklace reminded me of peacocks, a very dangerous observation for me.
Then I was discussing an astrology based magickal technique with Polyphanes, and he recommended the use of the Syzygy and at first I didn’t like the idea. Anyways, I woke up the next morning with my Holy Guardian Angel telling me that I should use the Syzygy. In the abstract multimodal way my HGA often communicates I was told to “accept the Twin” which was accompanied by a vision of the Sun, Full Moon, and Earth. I knew this meant the Syzygy, which in Jungian terms is about paired opposites, and in general it means something in Union, which was how I linked it to twins, and from the placement of the bodies in the vision I could tell what it meant.
So then I looked at where my Syzygy is in my chart. Oh look, Gemini, the Twins. Oh look, more specifically it’s Conjunct Rigel, Orion’s Foot…oh look, Rigel is a binary (twin) star. Twins, Orion, Twins. Then I checked the time I woke up (when you wake up when family dies like I do, you habitually note when you wake up unusually) and drew the astrological chart, and conjunct the ascendant when my Angel woke me up? Rigel. The twin star in Orion…
As I played with these synchronicities peacocks started appearing to me more and more. First they started showing up peripherally in vision work, and then they appeared quite clearly when a spirit was seeking to contact me (speaking in Latin, because, screw me). Now, peacocks have been “chasing” me for about eight years, I don’t want to deal with them as a symbol. But I started to entertain this now, what connection was there between twins, angels, Orion, and peacocks? I still don’t have a solid answer. (I know of links between Orion and a specific angel, and between peacocks and angels, but not all of them together)
I felt inspired one day to clean my front porch, the downside to living in a large house on your own, is your family occasionally uses your place as storage. Anyways while cleaning up I came across a picture I had not seen before. I’ve since found out it was a gift to my father and he had it hanging in his office for years before he switched careers, then he packed it up and put it on the porch. Would anyone in the studio audience like to guess what it is a picture of? Two peacocks, you could say, twin peacocks even. I believe my scream/laugh/cry when I unpacked it was audible for many kilometres.
I decided to dive away from Western stuff and focus on Buddhism, that would help me escape these things, right? Until I found a reference to my Yidam as “the Peacock Bodhisattva.” So I decided to give in, I’d make space for the peacock entity in my life, I hung up the picture, and then doing some trance work I was given a set of three Seals for the “Angel” who was trying to contact me
Over the course of a week I decided to consecrate the necklace to this Angel, as a transvocation point, a nexus where our two realities touch, making communication and skrying easier. Then, as I was still getting to know the spirit, I invited them into my dreams, because while I suck at dream magick, it is one of the few places where contact with spirits will be largely unfiltered. So every night before bed I opened space over my bed, and called down the peacock spirit to visit me, so we might talk in my dreams, and for seven nights nothing happened. Through this process though I felt compelled to contact an Angel in Orion, but I knew it had to wait until I had better contact with the first angel. After the week was up I conjured the angel, it was faint, but the connection was established. It had the feel of an initiation, that I have to work through things in order to gain greater access.
Then, I felt an odd inspiration to good clean my room, and I mean good clean, including the storage under my bed which I never touch. I found my old sleeping bag in a vacuum sealed storage bag under my bed, but there was something odd and blue-green in with it. It was under the far corner of my bed (it’s a queen bed in a corner, so that corner storage never gets touched) and I had to crawl under with a staff to get it out. I open up the bag, unfurl the blue-green blanket, and fall onto my bed laughing, wondering for a moment if I might have actually lost my mind, because suddenly I had a peacock blanket I had never seen before. No, let me correct that, a blanket with two peacocks, you could say twin peacocks even. No idea how (mundanely) such a blanket could have been vacuum sealed with my sleeping bag, and shoved into the farthest reaches of my bedroom, without me knowing.
Finally on Friday, I went to the Bluffs an hour before dawn, when Rigel and Alnilam were on the horizon rising, and conjured the Angel in Orion.
Who knows where this bizarre madness will take me…though I have a nagging suspicion it will involve summoning a lot of spirits.

Posted by kalagni in blueflamemagick

Review: Watcher Angel Tarot and Guidebook – Michelle Belanger and Jackie Williams


Watcher Angel Tarot Guidebook: Myth, Meaning, and Creation – Michelle Belanger and Jackie Williams
Emerald Tablet Press. 2011. 312pp. 9780983816911.

“And it came to pass, when men began to multiply on the face of the earth, and daughters were born unto them, That the sons of God saw the daughters of men that they were fair; and they took them wives of all which they chose.” Genesis 6:1-2

Such a little innocuous line, often overlooked and forgotten, yet containing the seeds of a beautifully deep myth expounded upon in the Book of Enoch. Watcher Angels, the sons of God(s), fell to the Earth and took up human mates, and taught the secrets of heaven. That is the theme of this deck. I’ve talked about this deck before but it is time for a proper review.
In the introduction Michelle says “I didn’t want simply to design another Tarot built on the bones of the Rider-Waite-Smith. I wanted to revision the Tarot entirely, allowing the symbols to speak through me and to find expression in some vital and personal myth.” (12) And that is what you find with this deck. It isn’t a Rider-Waite-Smith clone with angel wings drawn on it, it isn’t a clone with some of the images and settings shifted around, it is a fairly different beast altogether.
The deck was designed from the ground up. Looking at the overarching traits of the Major Arcana a parallel from the Enochic myth was chosen, for the most part one of the Watcher Angels themselves represents the Majors, each assigned according to what they did, and what they taught. For instance you have Kasdeya who taught “all the wicked smitings of spirits and demons, and the smitings of the embryo in the womb” as Death, and Shemyaza the leader of the Angels in the Fall as The Fool.

Seven of Pentacles. RWS: A man leaning on his hoe. Watcher Angel: A man leaning on his...


The Minor Arcana form an entire story of their own; from Ace to Ten, Pentacles, to Cups, to Wands, to Swords, they lay out the entire tale. Pentacles are just after the Fall, the struggle to learn and build a world. In Cups they have established themselves and enjoy the world. With Wands they show their children the mysteries of heaven and magick. Finally with Swords their children turn upon each other. Since each suit contains its own story arch it is a remarkably easy deck to learn, though initially I was wary of the differences, because even if you have a moment of uncertainty when you place the card in the story it becomes clear what it represents. The meanings, the keywords of the cards are standard, but they way they play out in the Enochic myth is quite different.My only complaint with this system is it falls into an earlier interpretation of the Tarot, since the Swords are about the war among the children, the majority of the Swords are negative and challenging cards. Something many decks do but I dislike.
The artwork in this deck is phenomenal. The images are deep and complex, without being cluttered, in a lifelike and detailed painting style you’re not likely to see in a Tarot deck. Colours are rich and vibrant, and thematically carry between the suits. Jackie has a wonderful talent and her skill really brings the images to life. For me it is the settings, wings, and faces that really get me. The backgrounds are evocative, be they a shifting patch of colour or an elegant city vista. The wings just look better than most angel depictions –it’s a personal gripe of mine. Lastly the faces are very engaging, haunting, and real. The entire deck is viewable here on Jackie’s site and will show far better than I can describe.
The companion book was refreshingly honest. “I won’t lie and say that this deck was merely the product of detached academic research. There is a great deal of vision and inspiration, myth, dream, and magick woven into this work.” (19) Or as Jackie says it is “a deck designed by two psychics with input from the universe.” (29) All things considered it’s something I’ve found odd that so many deck creators shy away from discussing. In fact the companion book is remarkably complete, perhaps too much for some cases, but as it says you can skip the sections that don’t interest you. The book contains Jackie and Michelle’s stories for making the Tarot, the years of planning and research for Michelle, the years of painting and living the cards for Jackie. Michelle leads you into the research and struggles, Jackie even gives interesting advice on paper and paint types. Their stories are followed by the myth of the Watchers, how it relates to Campbell’s Monomyth as well as to the Book of Enoch and related texts. It moves into tarot history, where it came from, how it became part of the Western Mystery Tradition, beliefs about the tarot, and then finally the interpretations of the cards. If you’ve never dealt with the tarot before this book covers pretty much all the basics you’ll need, and if you’re familiar with the tarot and don’t care about personal stories you can skip to the back where you can learn about the cards and understand why Michelle and Jackie made the choices they did in illustrating the deck.
I will fully own up to a triple bias with this deck, Michelle and Jackie are friends, and personally I love the Enochic mythology. That being said, I don’t believe it is my bias speaking when I say this has quickly become one of my favourite decks; the beautiful art, the compelling myth, it just makes this a wonderful and unique deck.

Posted by kalagni in blueflamemagick

Webshare Wait-It's-Monday: Enochic and Enochian Galore


Baraquiel- The Hanged Man

Baraquiel- The Hanged Man


Sorry for the lack of posting recently, I decided to run for an unplanned holiday on the family farm. I was going to share these links/stories later, but as one of them is time sensitive I’ll do so a little early and with that said it might as well be the link I start with.
My friends Michelle and Jackie have been working on a tarot deck. Michelle’s been scheming it for about a decade and if I remember my timelines right Jackie’s been painting for about five years. The Watcher Angel Tarot is a reinterpretation of the themes of the tarot through the legend of the Watcher Angels as told in the Book of Enoch. The deck is finally done and presales start this Tuesday (June 21st). Currently you can pre-order the deck as collector and supporter decks on Jackie’s art site to help foot the start-up cost, and the deck will be released October 21st, just in time for the end of the world, and that’s not a coincidence. On Monday and Tuesday at 1830 (EST) Michelle and Jackie will be doing a twitter to youtube question answer session about the deck, so if you’re interesting and/or want to learn more go to Jackie’s site or participate in the chat to hear about the deck from the people driving it.
Damon Albarn (Gorillaz) has written an opera ‘Doctor Dee’ on the life of the historic occultist John Dee, founder of Enochian magick. I’m actually really amused and intrigued with the idea. He says he will focus on the occult practices of the good doctor, as he feels that part of his life has been hidden from history. No mention if wife-swapping for YHWH will be in the opera as of yet.
While totally different, this just couldn’t help but remind me of The Enochian Keys Opera by Valentin Dubovskoy from several years back, which I had interesting results with.
Next month sees the release of El Shaddai: Ascension of the Metatron, a video game loosely based on the Book of Enoch (I’m seeing a theme in my links, this wasn’t planned). The game has you taking the role of Enoch the Prophet trying to stop seven fallen angels and the flood that will destroy mankind if they are not stopped. I have neither of the platforms it is on (PS3 or 360) but I’ve been debating a PS3 for a while (I don’t really play video games) and I think this might be a good inspiration. A PS3 for my spiritual research, that’s reasonable, right?
Edit: I just found a video trailer of the game. It looks good to me, and has an interesting artistic style.

An Orthodox Jewish Court has condemned a dog to death by stoning. The belief is the dog that invaded the court room was the reincarnation of a secular lawyer the judges had previously cursed to be reborn as a dog for insulting them. What I found most interesting is that it is a public admission of the belief in reincarnation (which while it has some historical basis in Judaism is a fringe belief currently) but also the belief that the judges have the capacity to use a curse to direct someone’s next incarnation and that it could include animals such a dogs. I was under the impression that Jewish beliefs in reincarnation was limited to humans, but animals and cursing incarnations, both are new tricks to me.
Lastly, and really really not least is Rob’s Basic Laws, Rules, and Rights of Magic an absolutely brilliant article on…well just that, the laws, rules, and rights of magick. It’s a long read, and you definitely need to take some time to work through it but it is worth it. I probably only disagreed with one or two points, and not in horribly strong ways, I really recommend you give it a read if you haven’t seen it yet. It matched up with some of my own conceptions on the laws/rules and made me question and debate others.
That being said I leave these links with you, and hopefully return to blogging proper soon.

Posted by kalagni in blueflamemagick