enochic

Treading the Starry Path

The Starry Path is the system of magick or spiritual path I’ve been walking for several years. The earliest mention of it in this blog was six years ago, but I know it was a part of my life well before then, but I’d have to dig out old magickal diaries to be more specific. That will have to wait though, this is my time of year for rereading my Abramelin journals, though the visionary experiences during my Abramelin period are definitely part of the Starry Path.

The Starry Path is a system of magick that grows out of several different practices but has become its own path. It is a gnostic tradition in the sense that it relies on personal gnosis as much as it does on outside factors. It is an ecstatic path as it takes the ecstasy born from gnosis to transcend normal consciousness or reality. A path meant to open the mind to the unconstrained abstraction that is reality. That is such an awkward phrasing for something that seems impossible to put into words without experience. Opening the mind to an abstract shifting world of multiplicities and paradox, the strata of the world we know. That is of course more of the advanced goal and practice.

It is a path of gnosis and ecstasy, of the experiences and the ephemeral. That means that the path has the goal of mystical visions, but also a goal of removing the mental constraints we put upon our perception that limit our ability to understand and interact with reality.

The Starry Path has connections and resonances with Sabbatic Witchcraft, Feri Witchcraft, TradCraft, Qabalah, Vajrayana, Ezidi beliefs, Ceremonial magick, and Enochic magick. (Not Enochian, Enochic) But the Starry Path isn’t part of these paths, nor would it be correct to say it grew from them, or was based on them. The Path is not a combination of disparate practices, but a method of gnosis, a system of arcana that grew from their moments of clarity. But there are similarities and connections, resonances and echoes with these traditions, and others, these are just the ones I am most familiar with. I’m torn between saying it’s another facet of these currents or convergent evolution. In reality, it’s probably both, neither, and so much more. (This is where you get into the unconstrained abstractions I mentioned above)

I think that Andrew Chumbley said it well:

All currents of Magick flow from a single fountain…all currents are adapted by the channel through which they pass and my work has been influenced by many traditions and authorities of occultism, but nonetheless, in articulating such Magick as I have dreamt of, I am manifesting its Indivisible Unity as best as I am presently able.

ix, Azoetia: The Sethos Edition, 1992,2002

As a system of arcana that is being revealed to me over the years, I’ve often been reluctant to talk about it publicly. Over the years I’ve worked with and taught other people I know and trust about the path, but never anything public really. It feels egotistical in some ways to talk about a “new” system of magick you’re “creating.” Even if it is not new, nor is it being created, just revealed and codified. I’ve also been concerned about releasing things half-baked and half-understood, for fear of misleading others who look into it. The witchy urban legends of someone screwing up their life by using a bad translation, or an incomplete text, or whatever is really just a story, I know that, but yet I did worry about people using an incomplete path I showed them and stumbling.

Things have shifted over the years, my misconceptions about parts of it have dropped away, other things were expanded, and I was worried about someone trying something before it’s “perfected.” I see now (thanks to repeated Clue-by-fours from the spirits of the Path) that it is a living breathing system, and in many ways, it will never be complete.

As such I will begin blogging more about the Starry Path, and I invite those interested to explore the path with me.

So what is the Starry Path?

In broad strokes the Starry Path is nothing that unusual, it seems to draw on familiar and almost universal mythological themes: Beings of the heavens, descending to earth, to teach, to love, to live, and over time losing their way. What I’ve found interesting in my exploration though is the heavy stellar influence on the Path, it is called the Starry Path after all. While other resonate paths may emphasize the stars this Path really seems to put them in the centre in many ways. The spirits of the Path have intimated, or even outright said, where their story lies in myths, what is right, and wrong, and too subtle to be either right or wrong. The spirits of the Path, specifically the Elder spirits are Promethean beings, bringing the Fire of the Heavens down to Earth and giving it to humanity. The Path contains both those large abstract and subtle magicks that have been with humanity since our beginning, but like humanity, it has evolved. It has grown with humanity to keep relevant and applicable to us.

Currently, I would divide information on the Starry Path into three forms.

Some of the information is relayed in this almost poetic spiritual form. It has similar mouthfeels and rhythms to spells, myths, and hymns.

You do not need to be able to see our star, you only need to know where in the sky it is. This is why we taught you so much on how the heavens move, so that we could be tracked, so that you could find us, so that we could communicate and come down to bring you our fire.

or

We breathed the Black, we with Stars in our veins still hold the Night in our Hearts. When we Fell Into this world we enlivened bodies of our Fallen Family, living in transmuted corpses. Listen well as we stare into our Hearts, Listen well as we stare into the Night, slowly careening overhead our Family Sings us Home.

There is my “translation” of that. Sometimes there is no need to put that in more day-to-day language, other times, specifically with instructions, I expand and give my commentary, giving something that is easier to read and reread to know what you’re doing.

My post on The Sorcerer’s Plant is a great example. I was given a more poetic explanation, but I “translated” it into something that was easier to share and discuss.

The last division would be stuff that is solely my writing. Sometimes information is sung at me and through me, but sometimes it’s just a download, so while the information comes from the spirits it forms is purely my own.

The Black Mountain of Fire falls in that category. No poetic or wordy explanation was given. Just a vision and download of information that I then wrote out on my own.

In the future, I plan to share some of the poetic descriptions of the spirits, from the spirits, and how they are connected to the path. I will talk of the role of salt, fire, and stars, and introduce the spirits on this path.

This post has been sitting in my draft folder since before I shifted to my own domain. A recent conversation with Polyphanes about the Stars of Ursa Major nudged me again to share this. Since there was a connection between what the spirits of the Path have told me, and what he has worked out from the PGM.

Going forward I will try to write more about the Starry Path. Now the fun part is deciding where to start.

Posted by kalagni in blueflamemagick

Review: Watcher Angel Tarot and Guidebook – Michelle Belanger and Jackie Williams


Watcher Angel Tarot Guidebook: Myth, Meaning, and Creation – Michelle Belanger and Jackie Williams
Emerald Tablet Press. 2011. 312pp. 9780983816911.

“And it came to pass, when men began to multiply on the face of the earth, and daughters were born unto them, That the sons of God saw the daughters of men that they were fair; and they took them wives of all which they chose.” Genesis 6:1-2

Such a little innocuous line, often overlooked and forgotten, yet containing the seeds of a beautifully deep myth expounded upon in the Book of Enoch. Watcher Angels, the sons of God(s), fell to the Earth and took up human mates, and taught the secrets of heaven. That is the theme of this deck. I’ve talked about this deck before but it is time for a proper review.
In the introduction Michelle says “I didn’t want simply to design another Tarot built on the bones of the Rider-Waite-Smith. I wanted to revision the Tarot entirely, allowing the symbols to speak through me and to find expression in some vital and personal myth.” (12) And that is what you find with this deck. It isn’t a Rider-Waite-Smith clone with angel wings drawn on it, it isn’t a clone with some of the images and settings shifted around, it is a fairly different beast altogether.
The deck was designed from the ground up. Looking at the overarching traits of the Major Arcana a parallel from the Enochic myth was chosen, for the most part one of the Watcher Angels themselves represents the Majors, each assigned according to what they did, and what they taught. For instance you have Kasdeya who taught “all the wicked smitings of spirits and demons, and the smitings of the embryo in the womb” as Death, and Shemyaza the leader of the Angels in the Fall as The Fool.

Seven of Pentacles. RWS: A man leaning on his hoe. Watcher Angel: A man leaning on his...


The Minor Arcana form an entire story of their own; from Ace to Ten, Pentacles, to Cups, to Wands, to Swords, they lay out the entire tale. Pentacles are just after the Fall, the struggle to learn and build a world. In Cups they have established themselves and enjoy the world. With Wands they show their children the mysteries of heaven and magick. Finally with Swords their children turn upon each other. Since each suit contains its own story arch it is a remarkably easy deck to learn, though initially I was wary of the differences, because even if you have a moment of uncertainty when you place the card in the story it becomes clear what it represents. The meanings, the keywords of the cards are standard, but they way they play out in the Enochic myth is quite different.My only complaint with this system is it falls into an earlier interpretation of the Tarot, since the Swords are about the war among the children, the majority of the Swords are negative and challenging cards. Something many decks do but I dislike.
The artwork in this deck is phenomenal. The images are deep and complex, without being cluttered, in a lifelike and detailed painting style you’re not likely to see in a Tarot deck. Colours are rich and vibrant, and thematically carry between the suits. Jackie has a wonderful talent and her skill really brings the images to life. For me it is the settings, wings, and faces that really get me. The backgrounds are evocative, be they a shifting patch of colour or an elegant city vista. The wings just look better than most angel depictions –it’s a personal gripe of mine. Lastly the faces are very engaging, haunting, and real. The entire deck is viewable here on Jackie’s site and will show far better than I can describe.
The companion book was refreshingly honest. “I won’t lie and say that this deck was merely the product of detached academic research. There is a great deal of vision and inspiration, myth, dream, and magick woven into this work.” (19) Or as Jackie says it is “a deck designed by two psychics with input from the universe.” (29) All things considered it’s something I’ve found odd that so many deck creators shy away from discussing. In fact the companion book is remarkably complete, perhaps too much for some cases, but as it says you can skip the sections that don’t interest you. The book contains Jackie and Michelle’s stories for making the Tarot, the years of planning and research for Michelle, the years of painting and living the cards for Jackie. Michelle leads you into the research and struggles, Jackie even gives interesting advice on paper and paint types. Their stories are followed by the myth of the Watchers, how it relates to Campbell’s Monomyth as well as to the Book of Enoch and related texts. It moves into tarot history, where it came from, how it became part of the Western Mystery Tradition, beliefs about the tarot, and then finally the interpretations of the cards. If you’ve never dealt with the tarot before this book covers pretty much all the basics you’ll need, and if you’re familiar with the tarot and don’t care about personal stories you can skip to the back where you can learn about the cards and understand why Michelle and Jackie made the choices they did in illustrating the deck.
I will fully own up to a triple bias with this deck, Michelle and Jackie are friends, and personally I love the Enochic mythology. That being said, I don’t believe it is my bias speaking when I say this has quickly become one of my favourite decks; the beautiful art, the compelling myth, it just makes this a wonderful and unique deck.

Posted by kalagni in blueflamemagick

Review: The Dictionary of Demons – Michelle Belanger


The Dictionary of Demons: Names of the Damned – Michelle Belanger
Llewellyn. 2010. 362 pp. with appendices. 9780738723068.
For the sake of transparency before I start this review I will admit to two reasons why I could be biased toward the book.
1. Michelle is a friend of mine.
2. Jackie, the very talented artist who did the alphabet art and several seals and pieces of art within the book, is also a friend or lab partner.
Of course people who know me, know I’m not exactly easy on most of my friends…
From Aariel to Zynextyur (is he next to your what?) this book has a listing of over 1,500 demons from the grimoiric tradition. This book is an amazing wealth of information on the entities within. Michelle worked strictly from an academic perspective; personal experiences and ideas do not enter into the text, only what information Michelle could dig up from the grimoires. Dig up is a great way to put it, Michelle went through an extensive process of several years of cataloguing these demons and searching for more information, other translations, older manuscripts. The common and popular texts like the Lemegaton and the Book of Abramelin were used, as well as more obscure texts like Liber Juratus Honorii, Caelestis Hierarchia, and Liber de Angelis.
“This book is not intended to be a how-to book on grimoiric magick” (10) instead it is as the title says a dictionary of names that have appeared in various texts. Names, ranks, and powers are given, along with much more. The entries on a demon let the reader know what grimoire they appear in and in many cases the several grimoires they have lent their names too, as well as information like what their name may be derived and distorted from as well as showing how some demons are most likely the same figure but over the course of years scribal errors have pushed their names further apart. Michelle pieces together part of the puzzle of grimoires, by analyzing names and lack of names in different texts Michelle attempts to establish a connection and timeline between the various books. Interspersed with the different entries are small articles by Michelle and Jackie about various relevant topics to the text, such as the scribal process involved in medieval grimoires, the history of Jewish appropriation in Christian mysticism, and comparing different lists of what demon rules what directions.
While most of the book is written in a straight forward manner Michelle was not above the occasional humorous observation. “From the profusion of [love] spells in all the magickal texts, it would seem that practitioners of the black arts had a very difficult time find a date in the Middle Ages” (15) or pointing out that Pist, who helps you catch a thief, has a name that sounds like how one would feel when stolen from (247).
While reading it I only noted one thing that seemed off in that Michelle attributed Mather’s translation of The Sacred Mage of Abramelin the Mage to a 15th century manuscript, when I have always seen the French manuscript dated to the 18th century. All in all I was greatly pleased and impressed with the effort, resources, and scholarship Michelle put into this book. While not a practical how-to guide, this book is an invaluable resource of names and histories for those interested in the grimoiric tradition. I felt the plot was a bit dry, but it had a wicked cast of characters.
Also for those wanting a related, but simpler text, I recommend you check out Michelle and Jackie’s D is for Demon. It is a delightful (not for) children’s book of rhymes leading you through 26 demons. I, of course, got a copy for my two-year old niece to make sure she is brought up right.

Posted by kalagni in blueflamemagick

Sex, Angels, Bones, and Books


Easter Monday, time for a Judeo-Christian post I think. This is mainly more links and connecting data, but I have a few relevant articles off on the wings I thought I’d bring together.
Over at Remnant of Giants a post just went live “How Do You Know When You’re Having Sex with a Fallen Angel: Some Handy Hints from a Biblical Scholar“. The site is a mix of funny responses to relevant events and scholarly study related to the Biblical and extra-Biblical giants, and occasionally more generic Biblical/extra-Biblical study. As a fan of the Enochic literature (meaning related to the Book of Enoch, not Enochian in the Dee-Kelly sense) I find it is both an entertaining and informative site.
Of course there are a few mistakes. With number one, the Angels you could sleep with, humanoid ones, didn’t have wings Biblically it was the non-humanoid Angels that had wings. I’m actually writing a personal article on that now which may or may not make it up here in the future. Number two, should have stuck with naming fallen angels, Metatron (either one of them) is an odd choice of name for a fallen angel to assume. Other than that, it is a handy (silly) guide, of course I’d rather use guides not to avoid but to pursue, but to each their own.
The University of Wyoming shared the news that the trial/investigation of the James Ossuary box may finally be wrapping up. It’s only been about a decade. In fact since then the box has dropped off most people’s radar. If you’re unfamiliar with it, it is an ossuary box that is about 2000 years old (that part isn’t questioned) which reads “Ya’akov bar-Yosef akhui diYeshua.” For those without their Aramaic 101, that translates as “Jacob, son of Joseph, brother of Joshua.” Or when rendered out of Aramaic into Biblical English “James, son of Joseph, brother of Jesus.” So apparently we have the bone box of James, Jesus’s younger brother. But so far most of the evidence points to it being a fraud. “Ya’akov bar-Yosef” is generally believed to be authentic, but the bit about Jesus looks like it may be a modern addition, the trial is trying to figure out how modern, as some experts say it is more recent than the box, but still from the first millennium.
Speaking of Biblical forgeries it looks like Indiana Jones’s David Elkington’s codices are not standing up will to investigation. Rather than link to any individual story I want to link to this great resource here which is both a collection of relevant links and articles and a pretty solid analysis of the flaws of the codices. Included at the bottom of the article, the very last link is a collection of all the images of the codices that have been released, for those of us who like to take a look for ourselves. Just a sidenote since I brought it up the first time I posted about it, this man actually has degrees, a BA in Near Eastern Studies and a Masters in Jewish studies, and is working on more. Credentials aren’t the end-all be-all, but by Baal they’re useful.
Now in the spirit of Easter Monday, I’m off to buy discount chocolate.

Posted by kalagni in blueflamemagick