offerings

Ancestor Work: Start Simply, Simply Start


Ancestor AltarI put my fingers on the touchstone and allow my shrine to open. Muted sensations fill my mind and brighten. I light the two white candles on either side of the picture frames, then from those flames the incense. In my mind’s eye I let the light and smoke expand, both illuminating the space and obscuring it, filling it with a bright cloud on which my mind can receive images. Slowly I pour the hot water in the tea cups and say hello. I speak to my Beloved Dead, it’s not formal, it’s respectful but casual, these are my grandparents and great-grandparents after all. I tell them about the week, how it was my niece’s first birthday and she’s incredibly cute and they’d all love her, only one of her great-grandparents getting to meet her, just once before cancer took Nana. I talk about work, all the things that grandparents love to hear. I thank them, every week, for the role they played in shaping my personality. I ask for their support in my life, I have nothing planned, so it’s a general request, just be there for me.
Moving from my main ancestor shrine I light another stick of incense, and place a piece of buttered toast in two cups, marked in my mind with the light of the moon and the light of the sun. More formally, I offer the food and incense to them, but as with my Beloved Dead, I thank them for how they shaped me, and ask that they continue to work with me, and walk with me.
I never thought I’d be the type of person to work with my ancestors. Honestly I got into it accidentally it seems. I’m horrible with birthdays, so I asked my mother to email me all the birthdays for people in the family. She obliged, but her list included my great-granny’s birthday, despite being dead for nearly 20 years. I didn’t know how to arrange the information, so when googling my options to easily keep track of it, I ended up making a family tree. Then I decided to expand it, so I tracked down a few deceased family members and their information and added it. My grandmother (now deceased) found out and thought this was great, she was the family historian. She saw my initial family tree on Christmas Eve, and when she went home she couldn’t get to sleep, not because she was excited for Christmas, but because she wanted to track down all her records for me. It was bittersweet, for she gave me all her unorganized records and I made sense of them, but she died suddenly four months later. If we hadn’t worked on the family tree together the information would have been lost.
I don’t know how the ancestor work happened to be honest, but at one point it just felt natural that I should honour the dead I knew, that doing the family tree awoke this idea. I printed out pictures of them, both young and old when possible, and put their teacups in front of them, the only memento I have from most of them, and some candles. I don’t come from a family that has an ancestor tradition, my culture by the time it reached me had lost such things, and while there is some ancestor veneration in Buddhism, at that time I wasn’t involved enough to know it well, nor did I feel like their formalized methods were appropriate. So I made my own. I’ve worked with spirits for years, I regularly chatted with my one grandma as she’s buried a mere five minute walk from me, so I just adapted it from those ideas, and built upon responses over time. Sometimes when people ask me about ancestor work, when I mention that my simple methods are my own that’s the end of the conversation, they want something “traditional” because we’re taught to think that’s better. Other times the fact that it’s my own method is what appeals to people, because perhaps like me they’re not from a family or culture or religion with such practices, or perhaps like my take of Buddhist forms, they find it’s too formal and structured.
My practice is simple, but I thought I would share it. It’s nothing special, but it’s from the heart and effective for what I need.
My ancestor shrine has many objects on it, but a few simple classes of items. Most important would be the photos, the pictures of how I remember these people, and younger pictures them in their prime. I don’t know why I felt compelled to include both, but I like it, and when I acknowledge birthdays it’s nice to see them young and healthy, and when I honour their death it’s nice to see them as I remember them. As mentioned I have teacups from all the Beloved Dead, so they’re on the shrine. Two white candles, two incense holders, and a small vase big enough for two flowers. I also have a few random mementos, I didn’t want to include them initially, but they’re items I’d have no place for otherwise, and would probably throw out: a blue glass Madonna from my Grandma who wasn’t Catholic but had over 50 Madonna figurines, a backscratcher from my Great-Granny who died when I was five and that was always my toy when visiting, or the Statler and Waldorf figurines of my Granny who always claimed they were her boyfriends. Then in the centre is a statue of the Angel of Death, representing the Dead I don’t have on the altar, those who I knew but aren’t in direct lines (the Great Aunts and Uncles for instance), or those Dead whom I never knew.
Every week I boil some water, and perform the basic ritual described above. I make offerings to them, tell them about my week, what’s happening with the family, remind them they’re loved and missed, and thank them. If it is an important day, a birthday, anniversary, or death date I’ll make them a proper cup of tea, as an extra honouring for that day. I don’t use tea weekly for a few reasons, first water is traditionally offered by…well almost every culture to their dead, it’s the elixir of life, practically I don’t think it’s needed to use tea, and quite frankly brewing several cups of tea, only to dispose of them before they go bad (and they do, experience taught me that) is annoying, whereas water can stay on the altar all week until the next offering.
More important than anything I’ve found as I’ve done ancestor work, is to connect and acknowledge. Unless we come from a family/culture/religion with ancestor work, the dead are buried and then mostly ignored. Just by acknowledging them, you’re welcoming them back into your life. Sometimes I think about offering more elaborately, but to me, it’s about family. If they were alive and came over, I wouldn’t have cake ready for them, I wouldn’t have large meals just appearing, but I’d have tea, and if they wanted anything else, they could ask. So I keep it simple, hot water or tea, candles and incense. These are my Beloved Dead, they don’t need anything more, just love and remembrance.
A lot of people put off ancestor work (and a lot of work) for fear of doing it wrong. Contextualize it in the flesh though. Start with your Beloved Dead, the ancestors you knew in life, and just give them a space and time of your attention. Just talk. You don’t have to be formal, you don’t have to be elaborate. These are people who loved you (and if they didn’t that’s another issue for another time about ancestor work), so they’ll be understanding. If Grandma came over and I didn’t have tea, she might grumble, but in the end it wouldn’t be a big problem. Don’t worry about getting it wrong, they’ll forgive you, and if you’re open, they’ll guide you. Like many things in life it’s better just to start.

Posted by kalagni in blueflamemagick

Gate Crasher At The Ancestor Altar


Like most obsessed sorcerers I have several altars around my house. Sorry, according to Rinpoche I’m not obsessed, I’m “dedicated,” that sounds nicer. I’ve downsized recently, but I have my general and planetary altar, my chöd altar, my wealth altar, my Buddhist altar (okay a few of those), and my ancestor altar (recently just added a second one of those to discuss later).
Of all my altars my general/planetary and my chöd altar are my most “open” altars. When I do my morning prayers to the planetary angel while the offering is for them, it’s understood that what they don’t take/want can be taken by any spirit in the area. In chöd you go out of your way to call everyone you can to take the offerings. These altars are right on top of each other, so it tends to be, not surprisingly, where a lot of my random spirit activity occurs. My wealth and Buddhist altar(s) are semi-open, they’re dedicated to specific figures, but aren’t exclusive. I have trouble picturing a Bodhisattva getting annoyed that a random spirit is coming to take their offering. For the most part though since the work is directed to these figures no one else shows up.
Lastly there is my ancestor altar, which is closed in two ways. First it’s dedicated to my ancestors (imagine that) and anchored to them via photos, teacups, and art. Secondly it’s somewhat shielded. I wouldn’t say shielded or warded in the traditional sense, but it’s in my living room and I have it isolated from that space. While it is physically located in the living room, it’s energetically elsewhere behind a veil/shield, not for any super mystical reason, but as a genderqueer pansexual polyamorous sex-positive sorcerer my living room is often the scene of many things my very Christian ancestors might not approve of. (I may or may not be naked typing this within arm’s reach of the altar) So whenever I work with that altar, there is a stone I have to touch and “pull” the altar through that visual/sensory boundary.
One day, several weeks, back I opened the space, felt something off and thought nothing of it, and went about my weekly offerings. I lit the candles and incense as I chatted with my family about what had happened in the last week with the family and myself, I refilled their tea cups and noticed there was someone new in the space. Now every once and a while a new ancestor appears, it’s as if they talk from time to time, and someone says “Hey, your great-great-great grandkid is leaving us food and drink, come visit.” It’s weird, cause I don’t know these ancestors, my altar is for those I knew in life, but I’m not going to turn away someone just because they died before I was born. Anyways this new person didn’t feel right. There is a feel to ancestors, when the new people showed up I could feel the connection, I know they were family, and could even intuit roughly who they were (maternal/paternal and how far back). This new person didn’t feel like them in any way, he felt disconnected. It’s like when you’re in high school, there are 500+ students in your school, but you can immediately spot the transfer student in the crowd and tell they don’t fit in.
Before I could even address him, he asked for buttered tea. I asked who he was, and got no response, my awareness of him faded, so I left it. The next week he was there again, a bit stronger, I got a visual sense of him, he was an older white man, thick square glasses, and in a rocking chair, quite at home. Again he just suggested (cause asked implies too much communication) that he would like some buttered tea. This is odd, because buttered tea is a Tibetan drink, and that man is not Tibetan, and he didn’t strike me as someone who lived in Tibet or with the exile, he didn’t feel tied to Tibet/Tibetan Buddhism, he was just a strange old man asking for buttered tea. Again I asked who he was, and he faded out.
It sounds odd (because the rest of this story is so run-of-the-mill down to earth…) but I felt almost insulted by his presence. He wasn’t family, he wasn’t an ancestor, why is he inside my ancestor altar? I have two free-for-all offering buffet altars downstairs, why is he hanging around with my grandparents? As I’m overly polite with spirits (moreso than people most of the time) I decided to leave him be, I wasn’t going to cast him out, but I wasn’t going to indulge him without knowing who he is, or why he was there.
After several weeks of him occasionally showing up I got out a neutral coffee cup and made him buttered tea, which I served along with the drinks for my ancestors. The impression I got when I put down the tea for him? “Some apple crumble would be nice too.” It is amazing how someone seems unwilling to communicate, but still suggest/request to be fed in this manner. He got his tea, and no more.
It didn’t get rid of him, it wasn’t as if he wanted one last cup of tea before moving on, or anything like that. He’s a pretty “grounded” spirit, as solid as a stout ghost or ancestor that’s been worked with, he has presence and personality and awareness, which are really not common traits for wandering human spirits. Usually they’re weak, echoes, mentally dull, but not him. He still shows up, sometimes he’s an older man, sometimes he’s in his 40s-ish. He has the most unusual penetrating glance when his face prominently appears, as if his thick glasses are magnifying his sight, not just fixing it. I asked him to make use of the other altars for offerings, but he never showed up there.
I really have no idea who he is, or why he showed up, how he got into my ancestor altar and why he doesn’t go to any of the other ones.
This really is just to share some of what my magickal life is like, folks read my theorizing and my rants, but I thought I should also share some of what happens in my life. Also if you’ve had anything similar, or any ideas, I’m still trying to sort him out, so commentary is welcome.
He did lead me to creating two more categories of the dead beyond what my tradition held, but that will be discussed another time.

Posted by kalagni in blueflamemagick

Water Offerings


I hate twitter. It keeps trying to rope me into conversations, that you can’t really have on twitter. Hence this post.
Water Offerings.
Water Offerings are a Tibetan Buddhist method leaving offerings for essentially any and all spirits. Offering water is nearly a universal practice showing up in pretty much all religions, though with different ideas, and methods. The method I use and describe is essentially one of the standard Tibetan systems, with two tweaks I’ll discuss.
Why offerings? Well there are hosts of reasons why it is a great idea to give offerings, sometimes it is payment, sometimes it is respect, sometimes friendship, other times simply compassion. Always parallel it to real life, if you want help from someone, they’re more likely to help if you’ve given them something, helped them out, fed them, and respected them, why would spirits be that different? Wouldn’t you share your good fortune with friends and family? Why are spirits that different?
Why water offerings? If I were to designate offerings as simple, complex, and medium, water offerings would be medium. Simple offerings would be ones of pure intention or energy, and they definitely have their places. Complex could be as “simple” as the eight traditional offerings, involving having flowers, bells, food, incense, and more, and can be a lot more than that. Water offerings are the best of both worlds. Energy offerings tend to dissipate, the moment your focus wavers it starts to go. Water serves to “stabilize” the intention into a form and lets it persist, so you get the versatility of an intention/energy offering, but with more of the solidity of a complex offering.

Traditional set of seven


So in the version I perform I use eight small cups, plus a ninth to bring the water to the altar. This is one of my differences, the number. Water offerings have different amounts, I prefer eight, because I already do the eight offerings and I’m familiar with them, and while several forms of water offerings do use the eight offerings they decide randomly to include a candle instead of the one cup, I use water for everything. I find the single candle mixed in with all the cups disrupts the flow in my head. You can either offer this to anything and everyone, or call up a specific spirit to dedicate it to, even if you “produce” far more than you think they need.
Place all the cups (or bowls) in a row from left to right and fairly close together, the width of a grain of barley or rice they say. Slowly pour the water into the first bowl, each drop, each particle of water represents a basin of warm clean water to wash the feet after a long journey. It is a symbol of rest and relaxation. As you pour repeatedly say “Om Ah Hum” and if you can visualize it, the Om creates the offering, the Ah multiples it many times, and the Hum distributes it to those in need. If you’re more Western A-I-O works instead. My personal tweak is once I’m done pouring the offering, I just focus on that cup. I really focus on making a clear visual, as big and as many as I can. Om, an ocean of water to wash the feet as far as my mind’s eye can see. Ah, a universe of these oceans. Hum, those in need throughout all the universes get what they need.
Once you are done, then take that cup and slowly pour most of it into the next cup, leaving some in the cup you’re pouring from. This time as you say Om Ah Hum (or A-I-O) the particles of water are glasses of fresh cold drinking water. Again finish with a really big offering and copious amounts of the offering.
You follow this pattern with all the following cups. The next offerings are flowers, incense, candles/light, scented water, food, and musical instruments. When you are done visualize the eight cups and repeat the multiplication and distribution for everything.
If you’re doing this for a specific entity each of the offerings can be customized for them. When offering in this manner for Tzamaron, my Mercurial Angel, the flowers and candles are orange, the incense is amber, etc. When offering to a peaceful being the food never contains meats. If offering to a specific departed person if I know them I offer their favourite drinks, food, scents, music, and the like. Things like this can make it more specific and appropriate.
I do a water offering in the morning, and in my nightly rituals I thank the spirits, pour everything back into one cup, and dispose of it; in a potted plant, in the backyard, even down the sink if done respectfully. Generally you should leave it out for a while, so the spirits can make use of it. You don’t drink it though, it was given to someone else, it is not yours. When you’re done dry all the cups and stack them upside down, this keeps them clean and makes sure each offering is fresh.
May you, and yours find benefit in this simple and elegant offering.

Posted by kalagni in blueflamemagick