angels

Starry Path: Purpose, Path, and Goals

Since I’ve had a few good questions about the Starry Path, I figured it was worth having another “about” post going into more detail around the Path.

 

What is the purpose of the Starry Path, and my purpose in exploring and sharing it?

I’m not sure it’s fair to assume there is a major teleological element to the Starry Path. That would feel too religious to me. Sure, there is a purpose to the Path, like any magickal path it’s about opening ourselves up, to perceive reality in a deeper, more complex way, and to understand that reality, and our ability to influence it. The Path is about studying, and embracing magick and spirit, but not necessarily with some clear end goal, like a favourable afterlife or reincarnation.

My “purpose” in exploring it is just that, to learn more about magick and spirit, the Cosmos and my place within it. Purpose may not apply here either, because as much as this is a path that I’m exploring, there are definitely times when it feels like I don’t have much of a choice. The spirits have made themselves known, and my options are either ignore them, or go with them. Parts of the Path are intentionally explored, other areas I’m tossed into by the spirits.

As for sharing it, that is a bit harder to explain. The Starry Path is my experience, I’m not sharing it as a religious concept for others, or a path for others to follow whole-cloth, but as a record of my experience, an example of what can happen, and yes, as a system of arcana I hope others can explore too.

 

In fact, the purpose in sharing is something I think I didn’t make clear enough in the past. I mentioned the Path is ecstatic and gnostic, but inseparable from that the Starry Path is at its core a tutelary Path. Something that doesn’t get talked about enough in magick is the fact that most traditions seem like they are meant to be tutelary paths, not something to be slavishly followed. It seems though as trads spread and age, things become codified, and people think of that path as only what is presented to them. I love my encounters with these spirits, what they have shown and done for me, and I love hearing from people who have tried things from the Path…but if I ever meet anyone who is following my instructions/explanations on the Starry Path and that’s it, they haven’t moved beyond that, then they are doing the Path wrong.

The spirits I introduce aren’t meant to be merely summoned for a task and sent off, they are the teachers of the Path. Part of the Starry Path is accepting the spirits as teachers and guides. They know far more about it than I ever will. The Starry Path is meant to establish connection, and give a Path to walk, but it’s to be a guide. To paraphrase Chumbley “Confuse not the Path, with what I have written on it.” If you’re trying out stuff that I post, and not learning directly from the spirits as you go, then you need to slow down and engage them. It’s a tutelary path, learn from the spirits, innovate, and explore, do not just follow what you hear from me or others.

 

Are these new spirits? Why do we need new gods and spirits?

They’re not new at all. It is only my exploration of the Path that is new. They have always been here, they appear across time and spirit in many traditions, only my engagement with them is new. Some of the spirits on the Path are directly in other traditions and mythologies, others are more like resonant figures, perhaps the seed of myth that has been codified. They are not new, but I’m looking at a different facet of their complex being.

As for why do we “need” these “new” spirits, that’s an individual thing. Above I mentioned how a lot of paths start off tutelary, but over time become ossified and strict. Reality bleeds into myth, and legend, experiences become “fact” and ideas become gospel. The spirits of the Path appear across the world in different times and cultures, some of the magick they teach appears in other traditions. The Starry Path was borne out of a need and desire to experience things as they are. That is where the Path being ecstatic, gnostic, and tutelary comes in. It’s an attempt to engage this magick unadulterated by mythology and culture.

Of course, there will always be contamination based on the person, and culture experiencing, but it is hoped that those are less because it’s more direct, not over long stretches of time. I won’t deny that my explanations and explorations of the Starry Path are filtered through me. But like a game of telephone, the less people it passes through, the clearer it will be.

A parallel for this is the terma tradition in Vajrayana Buddhism. In Vajrayana Buddhism it’s very important to have a lineage. For many of my major empowerments, I can track it backwards in time, from me, to Rinpoche, to his teacher, to his teacher’s teacher, and so on back to some famous Buddha or saint. Despite this emphasis on lineage though, it’s understood that overtime teachings shift, get corrupted, misunderstood, and change. A terma is a revealed teaching. It’s believed that great masters (generally Padmasambhava, but termas from other figures exist) have left behind their teachings, hidden, to be discovered later. Padmasambhava for instance taught in the 8th century, that is a long time to assume that no teacher or student has misunderstood his teachings, no one has been confused in passing it on, nothing has been lost. Foreseeing this as a problem it’s believed that Guru Padmasambhava hid teachings, termas, so that centuries later someone would find them, and “refresh” the tradition with more accurate knowledge. A few centuries pass, things shift, and someone finds a terma text, and suddenly we know how things have been misunderstood for a few centuries, and we can correct that. We’re going back to the source, rather than trusting in a centuries long game of broken telephone. Terma exist as both physical scrolls that are found, and also Mind/Space terma, which are more of a vision/revelation of the information.

In that way I think on a basic level you could compare the Starry Path to terma. It’s an attempt to look past the myths, past the ideas and opinions, past ossified concepts, and to see what was at the base of it, and bring that back out. So yes, these spirits are probably in various myths, some directly, others are vague inspirations lost in the mists of time, but with the Starry Path I’m asking them to teach me directly outside of the religion/culture that has codified them over centuries.

 

Is X spirit, really Y spirit?

You’ll have to ask them. In some cases there is a one-for-one link between spirits on the Path and spirit in another tradition. Sometimes one spirit was divided in myth into two or more, and sometimes two or more spirits were combined under the same name. Other times it’s a general echo, X spirit might not be Y, but stories of X may have inspired the myths of Y down the line. The webs of history and myth are subtle and abstract. Because the tradition is gnostic/tutelary, I’m not going to say who is whom in my experiences, at least not yet.

 

Do you have to follow these rituals in order, contact spirits in order?

Yes and no. I certainly didn’t follow the order I’m writing in. Hell I’m still sorting out experiences in the last decade that I didn’t realize where connected to the Starry Path, or experiences I thought were connected but aren’t. A few of the practices have an order they need to follow. That’s why I’m introducing the Star Fire variations first in order. You can’t create Red or Blue Salt of Star Fire, without normal Salt of Star Fire, that’s just how it works out. Put unless I specifically mention that one thing has to precede another, feel free to jump around my writings in whatever order you want. Part of what makes this difficult to write about is my experiences have not been clean and orderly over the last decade, so I was never given a “This is where you start, this is what’s next.” So I’m going back through notes and thinking things over trying to reorder my experiences and information in a way that is easier for people to pick up and follow.

 

Are you just going to blather on this, or actually give us some magick to do?

Don’t worry, the base is more or less laid, so soon we’ll actually be doing stuff with the Path.

Posted by kalagni in blueflamemagick

Review: The Witch’s Book of Spirits, by Devin Hunter

The Witch’s Book of Spirits – Devin Hunter

Llewellyn, 2017, 9780738751948, 306pp

The Witch’s Book of Spirits is a refreshing book on spirit work and magick. Devin Hunter leads you through a theoretical tour of spirit realms, introduces you to spirits along the way, and teaches you how to work with them.

Spirit work is the cornerstone of most witchcraft traditions, but what Hunter presents is both applicable to most magickal traditions, but also distinct in and of itself. That’s one of the main things I appreciated, Hunter’s system is its own thing, it’s fresh and new, not a rehash of older grimoires or Books of Shadows.

The book starts with a look at the history of spirits and magick, the importance of spirit allies, and explaining the spirit realms. The book felt almost like a spiral, rather than a linear book. Instead of being a straight progression from topic to topic, it felt like topics were introduced, explored, and returned to a while later with greater understanding. From a teaching perspective this is a great way to keep the information fresh and relevant in the reader’s mind.

The book spirals out, looking at familiars, protections, spiritual flight, returning to the various spirit realms, and methods of conjurations. While I might disagree with some of Hunter’s delineations of spirits and realms, they do make a useful model to work from. If the worst thing I can say is that I disagree with some definitions, then I’d say that this makes this a fairly solid book on spirit work.

It’s the last half of the book that really shines in my opinion. Hunter gives us nine “Keys of Hecate” which are a combination of sigils and energy work. These Keys are symbols of power, each one with a different purpose and method of use ranging from establishing authority and protection to helping spirits manifest on our level. I found these really interesting because while the origins and symbols are different, the underlying principle and method is very similar to work I’ve had revealed to me by my spirits, just as these Keys were revealed by Hunter’s work with Hecate.

Now that the reader is equipped with the Keys to handle spirits the book spirals back into a deeper look at the classification of spirits, from angels and demons to the dead and the fae. The book ends with a grimoire of 33 spirits, spirits of the Vexna-Kari. They’re an interesting mishmash of spirits of different types and different origins. Several apparently were spirit familiars to witches in the past, but for whatever reason even after their witch died the spirits remained, brought back into the fold by the Vexna-Kari. The abilities or domains of the spirits are the standard fair: help learning, drawing love, protection, financial aid and so on. The head of the spirits, the Vexna-Kari, are three spirits, progenitors of witchblood, angels who walked the Earth. This section, like the Keys, had a few eerie similarities to my own work, and considering much of that comes from spirits who also claim themselves as bloodline progenitors and angels on the Earth I think it’s good confirmation having similarities arise. I suspect those who follow paths connected to the Crooked Path, Sabbatic Craft, TradCraft will probably find Hunter’s work very resonant with their own.

While I would recommend the book in general, for anyone wanting to improve the connection and work with spirits, I will say it probably will have an extra “layer” to those who walk paths connected with Hecate, the Bene Ha Elohim, and TradCraft. Even if you’re fairly developed in your spirit work, I would recommend the book for the Keys of Hecate and the Vexna-Kari grimoire.

Posted by kalagni in blueflamemagick

The Secrets of the Summoning Circle – Resurrected


 

This was my second most popular piece on my old site. Though it had barely more than half the views of Sex With Angels, which I think says a lot about the internet…

This is just an introduction to summoning circles in grimoiric magick, and an interpretation of them, rather than just “here draw this, it works.”

This article was originally written for a “flavour” article in a friend’s Dictionary of Demons book. The format of the book changed and my articles got cut, though some the information was still incorporated into the book. I’ve slightly edited it from the original format to be a bit more personal and experiential rather than just cold theory.

The Circle is probably one of the most important, and misunderstood tools in the arsenal of a magickian who works with Demons. Anyone who has flipped through a text on summoning Angels or Demons has come across a Summoning Circle, but probably with no more explanation than the method of drawing it, and that the circle is important to use.

Over the course of time the design of the circle has changed, and the importance of it has shifted. In modern magick, more than ever, the circle is being deemed unimportant, or simplistic. The Summoning Circle is being replaced by Psychic Shields, or ritual belts, or a simple visualized bubble. This shows, among other things, a tendency to interpret the Summoning Circle as merely a form of protection when dealing with Demons, when in fact it is far more than just that in some interpretations.

(Continued)

The rest of the article is available here

Posted by kalagni in blueflamemagick

Sex With Angels – Resurrected

I wrote this as a joke post years ago, it was one of my favourite posts, and it is my all time most viewed post. (Not sure what that says about people on the internet…) As such I thought it deserved new life on my new page. If you’ve never read it before…enjoy I guess, and if you have, enjoy memory lane. (And as before, please make sure you update your feedreaders, or resubscribe to this page rather than the old one, I can’t transfer old subscriptions over)

It’s curious watching what google searches lead people to this blog. Sometimes they are relevant; often people find my book reviews looking for just that, so I’m happy. Sometimes they are funny but accidental; apparently one of the new pokemon has a blue flame on its tail and when someone tried to find out which one, they ended up here. Some are just surprising, apparently “sex James Bond” in Arabic can lead here. Months back I posted a link to a joke entry on “How to know if you’re having sex with a fallen angel” and that changed the google searches that lead here. The fifth most popular search term leading people to my blog is? Sex angels. From there I get all sorts of variations “How to have sex with angels” “How to summon an angel for sex” “Praying to angels for sex” (with an angel or person?) “Have people had sex with angels?” and it goes on. Now, let it not be said that I’m not an attentive and caring blogger. I opted out of a how-to guide for now, but I leave you with:

Say-Roar-Screech-Low mine Name! Who’s your Holy Father?

Kalagni’s Sex With Angels Advice

  • First piece of advice when having sex with an angel? Be not afraid. (Seriously if angels have to say that everytime they introduce themselves they probably aren’t pretty blond guys with wings, they’re scary-ass motherfuckers)
  • When having sex with a Kerub (Cherub) always make sure the human side is facing you, otherwise it is bestiality and that would just be weird.
  • Because they are four-in-one Kerubs are fans of bukakke, plan accordingly.
  • (Continued)

 

 

Read the entire post at this link.

Posted by kalagni in blueflamemagick

Sorcerer's Plant: Care, Feeding, and Consecration

Before I continue the post proper I wanted to address a question I got and can’t easily work into the post.
“Why do you suggest big blade aloe plants?”
There are two reasons. The first is when the angel(s) gave me the image it was the large bladed type of aloe vera, and I have kept my plants as close as possible to their vision and instruction. The second reason is because you can actually cut off a blade to use in certain rituals, but the plant is an ally, so the destruction of part of its body should be a sacrifice. If it’s dozens of small blades one removed will not contain much power, and will not be noticed, but a larger blade will make you think twice before using it.
Previously I spoke a bit about the uses of the plant, and the type of plant selected and the basic preparation, now let’s shift to the methods of consecration.
There are two elements of the consecration, a regular routine one, and an irregular one.
I mentioned that the plant is a connection to places and spirits you work with, this is part of the irregular consecration.
I’ve talked before about collecting dirt, here and here. This is how you connect the plant to different places. Follow the method I mentioned (or something similar) where you are not just grabbing dirt, but making an offering for it, gather the essence of the place into it, and then collect the dirt.
Gather Nest dirt, which I mentioned but didn’t describe in those posts, but to reiterate a Nest is a power place, often conceptualized in the West as a Nexus point, a crisscrossing of Ley Lines or flows of nature energy. But a Nest doesn’t have to be such a crisscrossing (or rather my tradition claims that some lines are far beneath the Earth and only rear their Head in certain areas), sometimes there is a place of power disconnected for the area around. Gather dirt that is important to your practice. Power places, temples, graves that are relevant to your work, holy places, whatever.

Now if you don't have soil samples from various graves, power points, and dragon's nests, then store bought is fine...actually, no it's not.

Now if you don’t have soil samples from various graves, power points, and dragon’s nests, then store bought is fine…actually, no it’s not.

When you have the dirt I recommend sterilizing it. You don’t have to, but dirt can contain harmful microorganisms which can be damaging to plants, and if you’re using it to detect magickal attacks you want to avoid any confusion if it starts wilting. To sterilize soil you bake it believe it or not. Put the soil in an oven safe container, I find mini-cupcake pans are the perfect size for my soil samples. The soil should be slightly damp. Cover the container with tin foil and pop in the oven at 90C (200F), once the dirt reaches around 82C (180F) keep it at that temperature for half an hour. Don’t let it go much higher than that, because that can actually produce (so the gardening sites claim) toxins in the soil. After half an hour take it out, and let it cool. You now have sterilized dirt that is free of damaging organisms for your plant.
My plant has soil from the various Nests near me. Places along the shore where I communicate with the spirits of Lake Ontario, places on the Bluffs, a crypt that has been a focus of my magickal work for 12 years, places like that. It also has dirt from the Blue Hole in the Pine Barrens, and sand from the Atlantic ocean, Graveyard dirt from the focal points of the various Lords of the Dead in different cemeteries I’ve visited in Canada and the US, and even stuff as far reaching as dirt from the roots of the (supposed) Bodhi Tree, and sand from the shore of Lake Rakshastal in the Himalayas (a lake of special importance to me). Think about the places that are important and powerful to you, and the places you have spirit allies. Take dirt from there.
Adding the dirt to the plant is something that I do non-ceremoniously, though I only do it when I water the plant. Before I start I hold the dirt, and use it as a link to the spirit or place, and reach out and connect it, then I speak to the spirit and place and plant, and explain that I’m giving it the dirt to connect them, so they become linked. So that offerings to the plant are offerings to these spirits, so that the plant becomes a place where I can easily speak to those far away and draw on their forces. You don’t need to add much, and if you’re like me, you don’t want to use too much, because pretty soon your pot will be overflowing. I use maybe a teaspoon each time.
(As a sidenote: I mentioned that my last plant died. I took the soil from that pot, from the edge away from the roots, just in case they started to rot, and I sterilized that dirt and reused it with my new plant. That way it kept some of the energy of the plant, and the connections I had already established. It felt like they broke, but the guidelines are there, so it’s just a matter of charging this plant back up to connect.)
Now for the part of the regular consecration, this is what helps connect the plant to you, and helps it stand in as you during magickal attacks. It also, I believe, it was largely gives it the power to become something more than just a plant, but a more conscious spirit.
It is to be watered every New Moon, and every Full Moon. (Water in between if it needs it, but not a full watering)I use rain water (or melted snow in the winter), I wasn’t told to, but it just seems right. Every Full Moon it’s not just water I feed my sorcerer’s plant, but my blood as well. *insert people suddenly being squeamish for no good reason* It doesn’t have to be much, I usually only include three drops for a symbolic reasoning. I mix the blood in with the water, and give it to the plant. As usual it’s less ceremony and more altered state chatting with the plant, reminding it that I share my blood with its water, so that I may become part of the plant, and that the plant is part of me, to bind us together and to enliven the plant. On the New Moon I offer my plant water and semen. (Those who didn’t know my sex or gender, you at least know I have functioning testicles) I cannot speak for those without the ability to produce semen, either due to medical issues or have different gonads/genitals, though I suppose other sexual secretions would work, or a second serving of blood. When I water the plant this time it is much the same, just explaining and reinforcing our connection.
(Feeding the plant my blood and semen is why my sorcerer’s plant has earned the endearing, but inaccurate, nickname of being a cum-guzzling cannibal cactus.)
This really gives the plant its own presence, and as mentioned helps it become a sort of astral double that works well as a stand in for a lot of malefic magick. There is nothing done to make it stand in, it just seems to be a nature of the plant, a natural occurrence after it builds up enough force.
Now that the plant is active and developing, you can use it essentially as a remote altar. If you need to connect to a distant spirit or place, treat the plant as you would an image or statue on an altar. Reach through it, make the offerings to it, connect to it, and speak through/to it.
I mentioned cutting off the blades. When I find I really need a boost in a ritual, I need access to more force/energy than I can easily tap, or I want to be empowered by distant allies I cut off a blade, split it lengthwise down the centre and use its gel as an anointing oil. My forehead, temples, wrists, and any other appropriate power point is wiped with the gel and I find that really sends me up and out into the ritual. Also I’ve used it as a stand in for my own blood in other rituals when I’ve not been comfortable using my own blood.
The sorcerer’s plant has inspired other such botanical familiars in my work, and I’ve come across similar ideas since then, but this post is long enough as is, so I will leave it here.

Posted by kalagni in blueflamemagick

Sorcerer's Plant

For well over a year I cultivated my sorcerer’s plant, and in that time it was a good focus and tool, and in the end it proved to be a great ally. Two weeks a good I began the process of consecrating and ensorcerelling a new one. Since people asked me about it, I asked the spirits who helped guide me to the plant, and I have a green light to talk about it. (I figured since it was part of a tradition of sorts, I needed permission to discuss it exactly, rather than in broad strokes)
So to start, just what is a sorcerer’s plant? It’s a hard question to answer, but most simply it’s a living (literally) talisman. Now a lot of us magickal folks (myself included) see some of our talismans and objects as alive, but this literally is alive on a biological level. A sorcerer’s plant has several purposes. It’s a focal point of power, it’s a very lively plant, and can be used to draw energy from, far more than you could from a regular plant, but it’s more than a battery, because it’s a focal point of different entities, and nests, and sacred places. (Nest in this tradition refers to a Dragon’s Nest, what most people would understand/call a nexus point of Ley Lines, a point of convergence of flows of power across the land) Through the plant you can access, if in a limited way, places and entities that are distant. (The spirits who set me about working on the plant told me that a long-lived and powerful sorcerer’s plant would eventually shift the flows around it to become a nest of its own. I don’t know if I believe that, or if it’s true, they might have been speaking out of their ass-trals.) It also has a more active plant genus attached to it, a more conscious spirit.
The plant also becomes an early warning system. The method of consecration causes a type of mirroring or interference between you and the plant, so a lot of stuff directed at you runs through the plant. In the case of attacks or malefic magick, this means the plant can absorb it, and it will affect the plant instead or first. Also the way it’s powered and connected makes it a great ritual ingredient for heightening trance states and the like. There is more to it, but any competent magickal folk will also start figuring out their own uses to it, and potentially tweaking it.
Regarding the early warning system, that is why I’m consecrating my second plant. I was recently a target of some malefic magick (since dealt with) which involved some pretty impressive signs. A dead mouse beside my offering dish, and the wards I drew on my walls before painting literally bled through the paint, and my healthy and living plant became mush. It didn’t just die or whither, it was suddenly a pile of goo held together by its skin. I don’t know what would have happened without it, but to turn a plant to mush, I’m pretty sure it took the brunt of it. I had found it useful before this, but this really drove it home.

Larger, fewer blades

Larger, fewer blades

So first one must acquire a plant to become the receptacle. I was told to acquire “the plant of immortality,” and my first thought was the Epic of Gilgamesh, but it was accompanied by a mental image of an aloe vera plant. Now supposedly (internet says) the Khemetic people called aloe vera the plant of immortality, but regardless it matches up, and makes sense to use aloe because of its gel (more on that next post). There are a couple of species of aloe vera, I personally recommend one with fewer larger blades, rather than many small ones. If you’ve never grown an aloe before, I recommend googling how to, they can be tricky plants, especially if you’re used to “normal” house plants, not succulents.
Too many small blades. Also avoid the more squat bladed species.

Too many small blades. Also avoid the more squat bladed species.

Then you need a pot, it doesn’t have to be a fancy pot, but large enough for the plant (again google what type of pots and setups are best for aloe), and preferably a touch deeper than needed. The most vague part of the instructions I was given was “make the pot magickal.” So I repeat that to you. I did it by using food colouring to paint the seals of some of my planetary angels on the inside of the pot and a few personal symbols related to the tradition. I used food colouring because it’s a terra cotta pot, so it absorbs well, and I didn’t want to use something like paint that would potentially be harmful to the plant.
Now plant the aloe into the pot, don’t fill it with dirt all the way to the top though. Leave some room. Almost to the top.
In most cases an aloe vera plant can be watered every two weeks, which just happens to sync up pretty excellently with the lunar cycle. I was told to water the plant on the New Moon and the Full Moon. Every once and a while in a really dry period I might need to give it a bit more in between, but save the full watering for the New and Full moons.
Next time I’ll discuss more on how it’s consecrated, nurtured, and worked with.

Posted by kalagni in blueflamemagick

Iuratus: Christian Elements, the Depth of Knowledge, and Authorship and Audience- Conclusion- Works Cited


Start at the beginning
See the previous instalment in case you missed it
The faith and devotion of the practitioner are constantly referenced throughout the text. In the introduction it is said the book can only be given to a man “both Godly and faithful, whose Godly behavior had been tried for the space of a whole year.” He is to be not just a devout person, but observed and tested for a year to prove himself worthy. When actually performing the rituals the practitioner is to be clean, to fast, and pray with devotion. That he must be “very penitent and truly confessed of all his sins.” Very similar requests appear throughout the text. Anyone undertaking this practice must attend Mass and take communion daily for a period of at least a month, which indicates the level of faith and devotion the practitioner must have. Coming at it from another angle it is warned that undertaking parts of the ritual “for an evil purpose” would lead to “death unto him.” It makes a case for the notion that the practitioner truly must be, not just a Christian, but a devout and Godly practitioner, undertaking the rituals in the text for only the highest ideals.
The Christian nature of the text and practitioner is repeatedly highlighted by the idea of divine authority. From the introduction it is said that “it is not possible that a wicked and unclean man should work truely [sic] in this art, for men are not bound to spirits, but the spirits are constrained against their wills to answer men that are cleansed or clean, and to fulfill their requests.” This is internal justification through the practitioner’s own holiness, it is saying that for this to work the practitioner must be cleansed or holy, and that the art of this book cannot work for those who are not holy. It is not just a personal devotion that enables the practitioner to commune with angels and spirits; it is asserted that such an ability is through the grace of YHWH. The ritual prayers say that they are completed “through God’s help” or “through … [God’s] mediation” . These rituals are framed that it is through the power or permission of YHWH that they have any effect. Contrasted with the earlier notion that the text cannot successfully be used by pagans or Jews it further supports the idea that the text is meant to be used by a Christian, and is dependent on their Christian faith and devotion.
When considering the author and audience of Liber Iuratus Honorii it becomes clear that the most likely candidate for both is a member of the clergy. The practitioner is required to be very devout and pious, and the author is highly skilled in Latin, knowledgeable in Greek, Hebrew, very familiar with Church prayers, rituals, scriptures, and Christian writings. On its own this suggests a priest or another member of the church. Such education would be largely the domain of the clerics, the scribes, and the nobility, limiting potential authors and audiences. The depth and breadth of knowledge, along with the literacy and devotional requirements leave very few potential authors or readers, but a priest would be on the top of that list.
This isn’t as unlikely as it initially seems. Despite being linguistically inaccurate the practice of summoning spirits was regarded as necromancy, regardless of the purpose of the summoning, or the nature of the spirit. To repeat a question and answer of Richard Kieckhefer “Who were the necromancers? Both in legend and before the law it was clerics above all others who stood accused of necromancy.” He goes onto explain that “cleric” is a hard word to define, for it can include anyone who has any level of ordination which includes doorkeeper and acolyte. The training was not through a seminary, but more of an apprentice relationship with another priest. Sometimes their ordination was not about a holy calling, but a way of getting an education, and one of the lower orders of ordination was that of exorcist “and in the ordination ceremony he would receive a book of exorcisms as a symbol of his theoretical function.” They were given the book as a “symbol” of office; it wasn’t something they were trained in, but more something if needed they would turn to the text for. This is another peculiarity, as one might assume these rituals would require training, but the Liber Iuratus Honorii was also passed on at the time of the master’s death , meaning the practitioner also received no training in the use of the text. Kieckhefer suggests there was a “clerical underworld” which is not really defined in terms of structure (if any) or purpose (if any), but that to some extent there was a collection of priests who studied and practiced this type of conjuration. Considering the amount of knowledge displayed all throughout the formation of Liber Iuratus Honorii, and the proposed existence of the clerical underworld it is reasonable to assume that the author of Liber Iuratus Honorii was a priest.
Concluding Thoughts
The Christian identification of Liber Iuratus Honorii is evidence of a complex process of religious thought and religious exchange. Initial readings reveal seemingly contradicting ideas: summoning angels to stir up war, devotional prayers and confession to Jesus, condemning the pope as a puppet of demons. Yet each of these contradictions are a thread in a complex textual and ideological tapestry, evidence of Jewish Qabalah and Islamic conjurations, intensely devotional Christian worship, and anti-Church sentiments. Individually these threads conflict and confuse, but if the reader slows down and reads the text as a whole from a distance, than the picture begins to become clear. Liber Iuratus Honorii becomes hard to conceptualize as anything but a thoroughly Christian text, written in such a way that makes it inaccessible to the laity, but perfect for a priestly audience. Clerical in origin and Christian in nature, Liber Iuratus Honorii shows the detailed and complex currents of medieval Christianity through an unusual but devout text.
Works Cited (In order of reference)
Joseph H. Peterson trans. Liber Juratus Honorii, or the Sworn Book of Honorius. Esoteric Archives. http://www.esotericarchives.com/juratus/juratus.htm (accessed February 25, 2013)
Robert Mathiesen. “A Thirteenth-Century Ritual to Attain the Beatific Vision from the Sworn Book of Honorius of Thebes.” in Conjuring Spirits: Texts and Traditions of Medieval Ritual Magic. ed. Claire Fanger. (University Park, Pa.: Pennsylvania State University Press, 1998. 143-162.)
Richard Kieckhefer. “The Devil’s Contemplatives: The Liber Iuratus, the Liber Visionum and Christian Appropriation of Jewish Occultism.” in Conjuring Spirits: Texts and Traditions of Medieval Ritual Magic. ed. Claire Fanger. (University Park, Pa.: Pennsylvania State University Press, 1998. 250-265.)
Katelyn Mesler. “The Liber Iuratus Honorii and the Christian Reception of Angel Magic.” in Invoking Angels: Theurgic Ideas and Practices, Thirteenth to Sixteenth Centuries. ed. Clair Fanger. (University Park, Pa.: Pennsylvania State University Press, 2012. 113-150.)
Owen Davies, Grimoires: A History of Magic Books (New York: Oxford Press, 2009)
Henry Cornelius Agrippa, Three Books of Occult Philosophy, trans. James Freake, ed. Donald Tyson (Woodbury: Llewellyn Publications)
Clair Fanger. “Covenant and the Divine Name: Revisiting the Liber Iuratus and John of Morigny’s Liber Florum.” in Invoking Angels: Theurgic Ideas and Practices, Thirteenth to Sixteenth Centuries. ed. Clair Fanger. (University Park, Pa.: Pennsylvania State University Press, 2012. 192-216.),
Richard Kieckhefer, Magic in the Middle Ages (Cambridge: Cambridge University Press, 1989)
Philip T. Weller, trans., The Roman Ritual (Milwaukee: The Bruce Publishing Company, 1964)

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Iuratus: Christian Elements, the Depth of Knowledge, and Authorship and Audience Continued


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See the previous instalment in case you missed it
To reiterate and expand an earlier point, a variety of Christian texts are incorporated into or referenced by Liber Iuratus Honorii. A partial list drawn from Mesler’s work on the text includes: “passages from scripture, the baptismal rite, the preface for Easter, the Ave Maria, the Salve Regina, the Apostle’s Creed, the Pater Noster, the Sanctus, and the Creed of Athanasius” as well as Jerome’s letters and Pseudo-Augustine. It is obvious that Honorius is very well read in matters of Christianity, and educated in general. Mathiesen attests “the Sworn Book is clearly not a translation from Arabic, Hebrew or Greek, but an original composition in Latin by a person who was fully conversant with the liturgy and ritual of the Roman Catholic Church” and more than that “it is clear that the author had some knowledge of the liturgy of the Greek Orthodox Church.” We are dealing with an author who knows Latin, Catholic and Greek Orthodox ritual, Greek, and at least some Hebrew. His knowledge is not just appropriated; it permeates the text in overt uses of prayers, to subtle references and even hidden messages. When the pope and his cardinals decided that books like Liber Iuratus Honorii had to be eliminated, Honorius said that a council of 811 “masters” came together to decide what should be done to preserve the tradition. The idea that there were 811 masters using texts like this seems odd, as well as the specificity of the number, but 811 is the numerological value of IAO (ΙΑΩ), a Greek name for God, the equivalent of the Hebrew YHWH. This, Mathiesen suggests, is a mirroring to the Council of Nicaea having 318 members, as that is the same numerological value as “the name of Jesus and his Cross.” The author is trying to validate the nature of the book as coming from God himself by having as many masters as the value of IAO. Knowing the Greek numerical value of a name though is not a matter of simple information or appropriation, but seems to show more understanding and a broader knowledge base as well as an ability and desire to integrate this knowledge into the text.
Having looked at the knowledge of the author, the character of the practitioner should be examined. The text itself recognizes that there are “three kinds of men that work this art: Jews, Christians, and pagans.” Honorius asserts that only Christians can use the rituals of this book properly. The pagans do not “constrain or bind” the spirits, and the spirits pretend to help the pagans but are in actuality deceiving them farther away from Christianity. The Jewish people are in the same predicament. The spirits will not obey them for they are not Christian, for they are not “signed with the sign of God…the cross” which is another way of saying they are not baptized . Even worse they are accused of not using the text for Divine vision, and are barred from entering Heaven for not recognizing Jesus. It seems unusual to condemn Jewish people more heavily than pagans, but perhaps the author is responding to the atmosphere of the time, or perhaps Honorius is trying to hide his connection with Judaism and Jewish sources evidenced earlier in the paper. It is made clear that only a devout Christian can make the rituals in the text work properly. Pagans and Jews can use it, but unsuccessfully. While the pagan usage of the rituals is left open, Jews are accused of using it not for Divine vision, but rather the other goals listed .
It is claimed that Christians would “only [work] truely [sic] to come to the vision of the Deity.” For the Christian the only purpose of the text is this “vision of the Deity” and all the other goals mentioned are to be taken as superfluous, though their inclusion is likely evidence of the attitudes and actions drawn from Honorius’s source text.

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Iuratus: Christian Elements, the Depth of Knowledge, and Authorship and Audience


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Christian Elements, the Depth of Knowledge, and Authorship and Audience
Though the Christian identity of the text is well supported at this point, the Christian elements should be examined to support this idea, and to further the argument that the author and audience of the text was not just Christian, but of the priestly orders, part of what Kieckhefer terms the “clerical underworld.”
In contrast to the adoption of Hebrew god names, the divinity in Liber Iuratus Honorii is referred to as the “Alpha and Omega,” “the father, son, and holy ghost,” and “the destroyer of death.” The references to the trinity and the Alpha and Omega mentioned in the Revelation of Saint John are both common naming conventions in Christianity, but the destroyer of death is a bit more obscure and is possibly a reference to 1 Corinthians that states “the last enemy that shall be destroyed is death.” This part of the naming convention could possibly show the “sincerity” of the Christian nature of the text, as “destroyer of death” is a more obscure reference and shows a greater familiarity with the Bible than referring YHWH as the Alpha and Omega. Throughout the text common names and titles from Christianity are used repeatedly to refer to YHWH as well as the more uncommon names.
jur1[1]Another element of uncommon knowledge shows up in the ritual structures explained in the text. Part of the work on summoning the angels involves the creation of a complex seal. The creation of the seal includes a set of prayers to say over some blood which is used as ink in the process. The first prayer is the same as “The Blessing of Salt” used by Catholic priests to exorcise salt before putting it in holy water , only the word salt is replaced by blood. The prayer is currently contained in the Rituale Romanum –the ritual handbook of a Catholic priest– which was only standardized in the 17th century. (While predecessor texts have existed since the 15th century they tended to be more regional and temporary. ) After the compilation of the Rituale Romanum anyone who could read Latin and obtain a copy of the text could find “The Blessing of Salt.” Though the text currently sits at more than 700 pages it would be a lot to go through if they were not aware of what they were looking for. Liber Iuratus Honorii was written in the 13th or 14th century though, before these texts existed, at that time such prayers and rituals would have been part of the training of a priest, possibly part of an oral tradition. So the question is how would the author of Liber Iuratus Honorii know the prayer? It is possible they learned it from the local priest, or that it was something the laity might know, but it also opens up the possibly that the text was written by a priest, if not for a priest. Continuing this thread the format of the ritual for conjuration even has some loose similarities to the ritual of exorcism. In both cases the practitioner/exorcist is to attend confession and mass , then they move into prayers of adoration and beseeching divine aid in their task , which finally moves to include the calling of the spirits and commanding their obedience. One of the lower orders of the priestly hierarchy at that time was the exorcist, so the details and structures of the ritual of exorcism would be available to many lower priests . The blood used to consecrate the seal is the prayer said over salt for holy water, while the prayer used to consecrate the magic circle for the ritual is the same used by the priest to consecrate the host in communion. The ritual preparation includes finding a “wary and a faithful priest” who will perform mass and prayers for the practitioner all the while inserting prayers from Liber Iuratus Honorii into the mass service. While this could mean the practitioner himself, it could also be another priest who has the same interest. This builds the case that the author was a member of the clergy, or somehow familiar with their ritual structure and prayers. The requirement of another priest suggests that the author may not be alone in his interests.

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Iuratus: Uncovering Christianity through the Internal Logic of Liber Iuratus Honorii Continued


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Another place this circumvention of Church authority occurs is in the promise of releasing three souls from purgatory. Again this was part of the classic authority of the Church; souls in purgatory could be eventually released (or released sooner) through the performances of masses in their name. In the final prayer of the first section of the text, just before the vision of the divine is granted there is a request to “breakest the brazen gates and deliveredst thy friends out of the dark places of hell.” Now here the text says hell, but before, and after this section it says purgatory. Regardless, freeing souls from hell or purgatory is quite a claim for an individual to make. Even the priests of the Church could not just release a soul from purgatory. It took continued prayers and rituals to gain that release, but Honorius claims this ritual can offer just such a release immediately.
Twice there is this circumvention of the Church authority, or the Church monopoly, through the personal forgiveness of sins and the release of souls in purgatory. Earlier in the ritual it is required for the practitioner to attend mass and confession, but by the end through prayer, devotion, and ritual they have become an authority of forgiveness unto themselves. Again I feel this should be framed not as a challenge to the Christian nature of the text, but more of a personal liberation and challenge to the structure and monopoly of the Church in such regards. The domain of forgiveness was that of the priests, so this text could be seen as a threat to that domain, or possibly an extension of the priestly authority and power which connects to the idea addressed later that the author was a priest himself.
The text can be conclusively identified as Christian based on the contents. The oaths that prevent the text from being wide spread, coupled with the danger of the text being discovered, suggest that the text’s contents are genuine as there is no need to hide or disguise a text that no one will read. There are also the elements that are contrary and inflammatory to the Church which would have been excluded in a non-Christian text in disguise. Since a non Christian text hiding in Christian imagery and language would strive to be palatable to the Christian masses as a safety precaution, it can be concluded from the statements challenging the Church’s authority and the threat and oaths that Liber Iuratus Honorii was written as a genuinely Christian text.

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